U2Fanatic4ever
Blue Crack Addict
I haven't read the rest of this thread, but should I buy the new album or not?
Just a simple yes/no will do.
thanks.
Amy,
I haven't read the rest of this thread, but should I buy the new album or not?
Just a simple yes/no will do.
thanks.
Amy,
No my logic is, if you have only negative things to say, and to say them repeatedly, in different threads, then why bother saying them at all...
...If it reminds people of Streets, it reminds people of Streets. You can't disprove that. And the bottom line is that if there are a significant number of people who believe it, then Coldplay is doing something wrong (or right, depending on how you want to look at it).
I haven't read the rest of this thread, but should I buy the new album or not?
Just a simple yes/no will do.
thanks.
U2 certainly don't own the copyright to that.
Does that matter? It reminds them of U2. Let it remind them of U2 and leave it at that.
It actually reminds me of some instrumentals from David Bowie's Low.
Bottomline, whether they copied other artists or not, the album is fucking good! It's aural pleasure and meant to be experienced on good speakers. Sure, I hear Radiohead, Arcade Fire and U2 influences but nothing sounds blatant to me.
Bottomline, whether they copied other artists or not, the album is fucking good! It's aural pleasure and meant to be experienced on good speakers. Sure, I hear Radiohead, Arcade Fire and U2 influences but nothing sounds blatant to me.
Bottomline, whether they copied other artists or not, the album is fucking good! It's aural pleasure and meant to be experienced on good speakers. Sure, I hear Radiohead, Arcade Fire and U2 influences but nothing sounds blatant to me.
I haven't read the rest of this thread, but should I buy the new album or not?
Just a simple yes/no will do.
thanks.
I haven't read the rest of this thread, but should I buy the new album or not?
Just a simple yes/no will do.
thanks.
I haven't read the rest of this thread, but should I buy the new album or not?
Just a simple yes/no will do.
thanks.
Amy,
no no you have it all wrong...I stand by everything I have said up until the post before last...the only thing that was proved was that "Life..." and Streets do not have similar chord progressions...and that's not even what I was trying to say in my original post, but yes, it sure looks like that's what I was saying. In my original post, I was simply commenting on the fact that certain chord progressions like the one heard in "Lovers In Japan/Reign of Love" and certain song structures, etc. aren't really debatable. Those are definitive aspects of music that "are what they are." I didn't mean to connect that statement to the question of whether or not Streets and "Life..." had the same chord progression or not, but the way I constructed that original post made it seem like that was in fact what I was doing. I am knowledgeable enough musically to know that Streets and Life In Technicolor do not have the same chord progression...even someone without muchmusical training could see that. Pfan, nothing was proved wrong except the idea that Streets doesn't have the same chord progression as "Life...," and that wasn't even what I was trying to prove...I just misspoke...if you think I'm trying to cover my ass I really don't know what to tell you, except to just not get too worked up over it, and don't let it keep you up at night...and...besides...what do you mean, "trying to cover your ass" - why would I even try to do that? You aren't making sense
Coldplay is still nothing more than a U2 ripoff band...a dumbed down, pathetic, sugary version of a rock and roll band...you can deny it all you want, but it's really not a far-fetched idea. So Pfan, "He copies U2 ... wait, that was disproved ..." - NO, you're wrong, that wasn't disproved...GG proved that "Streets" doesn't have the same chord progression as "Life..." - that's it...you get that? Or do you need this spoon fed to you?
how can you say that "Life In Technicolor" isn't a rip of Streets/COBL?!?! Chord progressions, song structure, etc. cannot be argued based on interpretation...it is what it is...
What?! I don't understand how you do not understand what I'm saying....are you sure you read my last post carefully? Not sure what you're talking about- In my original post, the one GG posted, I said some things "are what they are," and that idea was separate from the Streets/Life.. statement...but if I remember correctly, I mention all this in one small paragraph in back-to-back sentences so it comes off as if I'm saying Streets and "Life In..." have the same chord progression. In my last post, I wasn't saying that I misspoke regarding my original statement that some things in music are definitive like chord progressions, etc. and "are what they are"...What I said was that the "are what they are" statement was misinterpreted by GG and I'm sure others, and thought to be connected to the Streets/Life in.. comment, and as a result, GG thought that I meant that the chord progressions in Street and Life In... were clearly the same (are what they are) so she posted the chord progressions for us to prove that they were in fact different. And what do you mean not wanting to admit my original post was incorrect? It wasn't incorrect, that's what I'm trying to tell you!!! My original post, the one GG found, was simply poorly written and misleading- I'm not trying to "cover my ass" or whatever the hell you guys think I'm doing....
There's no point in getting technical about the mechanics of it, because all that proves is that Coldplay didn't try to carbon copy anything, which has never been the real argument. If it reminds people of Streets, it reminds people of Streets. You can't disprove that. And the bottom line is that if there are a significant number of people who believe it, then Coldplay is doing something wrong (or right, depending on how you want to look at it).
You cannot prove it or disprove it. I've not even listened to the song, but it's just a person-by-person thing, plain and simple.
Screwy thinks HMTMKMKM sounds like Panic in Detroit. God only knows why, but he does. Should this same point hold true in that case?
Rob, you blatantly said that Life in Technicolor and Where the Streets Have No Name have the same chord progression:
You're literally saying: "You cannot argue that Life in Technicolor is not a rip-off of Streets/COBL because chord progressions and song structure cannot be argued." And now are saying you never said that, and that we are "misinterpreting" your post because you "phrased it incorrectly."
And you're trying to make me believe you, and it's not working. How am I supposed to take anything you say seriously after that? You're telling me one thing when another thing happened. You're trying to make me into a fool, and I'm not having it. And you cannot expect me to take anything you say seriously while you sit here, and yes, cover your own ass. You're trying to cover your blatantly incorrect statement as a misinterpretation to try to be taken seriously. That's covering your ass.
So, I really hope no one engages you any longer unless you stop trying to bullshit us. I find it insulting that you are trying to fool me like this, like I'm not smart enough to notice your mistakes.
The equivalent of what you are doing is if I were to start saying right now and from now on in this thread that I did not accuse you of trying to cover your own ass. I've said it multiple times, but now I'm going to say it never happened and you only believe that because of some poor phrasing. That's the stupidity of what you are trying to do right now.
Rob, you may hear another song in LIT but it isn't a ripoff. I said U2 stole the riff from Panic In Detriot but Gibsongirl kindly showed me that on paper they aren't the same. So I admitted I was wrong and that I choose a poor choice of words. Don't get offended or defensive about being wrong when someone factually proves something. You should be grateful that someone took the time to correct you. It is perfectly fine to think things sound alike but don't call a band a ripoff because of it.
You really should apologize to Gibsongirl and thank her for taking the time to show you the facts. It enlightened you and should give you a new perspective on the band. You don't have to like them but don't call them ripoffs.
Well, ElMel and I corrected you about Panic in Detroit, but yeah, same point applies.
The three of you did yes. Sorry for not giving you credit.
I'm just trying to make sure Rob doesn't git nitpicky about the points and misses the important picture, which is why I noted that it was LMel who played it out and commented on it and I who wrote the chords out for the two songs.
You really should apologize to Gibsongirl and thank her for taking the time to show you the facts. It enlightened you and should give you a new perspective on the band. You don't have to like them but don't call them ripoffs.
Rob, here's a place to go if you'd like to continue on your level of intelligent conversation:
PLEBA - U2 Feedback
Ok...I don't understand this...Screwtape...I apologized already, in my first post after GG brought back my original quote...you need to read more carefully or something, I don't know
And you cannot expect me to take anything you say seriously while you sit here, and yes, cover your own ass.
Rob, you blatantly said that Life in Technicolor and Where the Streets Have No Name have the same chord progression:
[FONT="]You're literally saying: "You cannot argue that Life in Technicolor is not a rip-off of Streets/COBL because chord progressions and song structure cannot be argued." And now are saying you never said that, and that we are "misinterpreting" your post because you "phrased it incorrectly."[/FONT]