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Old 05-12-2010, 01:44 PM   #46
love, blood, life
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Join Date: Oct 2000
Location: Toronto, Ontario
Posts: 11,763
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From: Flahive Boberg
To: Brogna
Subject: I sense become blurred. Thi

Eir rocky beds than of their water currents; in them the athletic and arrogant subject takes it for granted that the poem is there to give it occasion to display its powers. The subject is the material wealth for the sake of which poetry should never be tempted to barter her soul,
even though the temptation should come
in the name
and shape of public good or some usefulness. Between the artist
and his art must be that perfect
detachment which is the pure medium of love. He must never make
use of this love except for its own perfect expression. In everyday life our personality moves in a

narrow circle of immediate self-interest. And therefore our
feelings and events, within that short range, become prominent subjects for ourselves. In their vehement self-assertion they ignore their unity with the All. They rise up like obstructions and obscure their own background. But art gives our personality the disinterested freedom of the eternal, there to find it in its true perspective. To see our own home in flames is not to see fire in its verity. But the fire in the stars is the fire in the heart of the Infinite; there, it is the script of creation. Matthew Arnold, in his poe m addressed to a nightingale, sings: Hark! ah, the nightingale-- The tawny-throated! Hark,
from that moonlit cedar what a burst! What triumph! hark!--what pain! But pain, when met within the boundaries of

limited reality, repels and hurts; it is

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Old 09-11-2010, 07:46 AM   #47
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