hatrickpatrick
The Fly
- Joined
- Jun 17, 2006
- Messages
- 180
Bit of a dilemma here. I'm covering Mysterious Ways in an upcoming gig, with a Les Paul. Have a great setting on the A3, no problem there, but it's definitely missing the jangly-ness of the Ricky.
I have access to a Behringer US600 pitch shift pedal, which has an octave harmony option. Can't try it out right now as it's a friend's and I can't borrow it until he's free at the weekend, but I'm just wondering has anyone tried anything like this and what was the result? I'm a little hesitant since the top three strings of a 12 string (as far as I know) aren't actually an octave higher, they simply double the top three strings of the ordinary 6-string. So what would it sound like using a pitch shifter to double all six strings an octave higher? Reckon this is a good idea or will it sound like balls?
I have access to a Behringer US600 pitch shift pedal, which has an octave harmony option. Can't try it out right now as it's a friend's and I can't borrow it until he's free at the weekend, but I'm just wondering has anyone tried anything like this and what was the result? I'm a little hesitant since the top three strings of a 12 string (as far as I know) aren't actually an octave higher, they simply double the top three strings of the ordinary 6-string. So what would it sound like using a pitch shifter to double all six strings an octave higher? Reckon this is a good idea or will it sound like balls?