dabiggestu2fan
Rock n' Roll Doggie
gar too much comparing between the two bands. Let it go people who gives a flying fuck. Just give me new U2 music!
I do not consider the adult contemporary riddled ATYCLB a "masterpiece". Give me HTDAAB, even with some of its egregious flaws, over ATYCLB any day. ATYCLB does have some great songs, but I feel about half the album was throwaway. I realize that most feel the same about HTDAAB, but the few gems HTDAAB has truly outshine everything on ATYCLB.
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I don't know how u consider ATYCLB more adult contemporary than Bomb. Bomb's got tons more cheese in it. Miracle Drug and Yahweh sound like generic Christian rock, Sometimes could be a hit for Celine Dion, A Man And A Woman for Rod Stewart, One Step Closer is like a boring James Taylor song. I never understood this hype about Bomb being a "rock" album. Why? Cuz of its loud abrasive production and a mere 2 tracks which feature distorted guitars? Come on...In A Little While...hell, Wild Honey rocks harder than anything off Bomb.
Wow! How different different people hear things!
Cheese? How about the utterly impotent "New York?" How about the failure of "Grace?" How about the joke of "Walk On?" How about the crap version of "Elevation" on the album? (Although the song DID get a lot better live.) How about "Peace on Earth," which just might have upgraded itself to mediocre status if Bono had actually used some emotion when he sang it..... Or the boring "When I look at the world"....
How about the worst vocals in his career throughout???
I love some cheese, but they really pushed it on All That! LOL!
ATYCLB is weak. Very weak. But it’s not as bad or cheesy as HTDAAB. I give ATYCLB more credit because the songwriting seems more loose and natural, and because the album does have a feel or soul to it. It’s just that the songwriting wasn’t particularly great. They just didn’t hit many of them very far.
Beautiful Day is as great a pop-rock single as has ever been created by anyone. In A Little While is an absolute gem of a song. Those two, along with Stateless and Ground Beneath Her Feet, are thus far the cream of their post-Pop output. Then… ATYCLB does get murky.
The songs you name, you’re right on with them, but they’re certainly not cheesy. You’re bang on with New York, calling it impotent. It’s barely a b-side. Grace/Peace on Earth – weak. When I Look at the World – yawn - is not as truly offensively bad and anywhere near the same cheese stench level as, say, Yahweh. Not even close. It’s just… totally forgettable. Even still, it has a natural feel to it, which certainly can not be said for a song like Original of the Species, which sounds like a lot of very hard work and very little if any natural inspiration. The amount of artificial sweetener and cliché needing to be glued together on that one, it must have taken a lot of sweat, that’s for sure. As I’ve said before, they should have sold it to Robbie Williams, sent it back to it’s natural environs.
Walk On? While it was the first clue that U2 were quite happy to take their anthemic 80s sound and attach it to a fairly by-numbers standard stadium anthem style that has been the hallmark of U2-mimics for 15 years previous, I think no other band could write that song. It’s quality writing. It steamrolls all over the X&Y-esque Miracle Drug with absolute ease. If Miracle Drug were a band, it wouldn’t be good enough to open for Walk On. Maybe good enough to open for the Walk On cover band at the pub down the road. Maybe. It is uninspired, forced, formulaic, generally just lazy songwriting. Walk On, while certainly not to my taste, is on a whole other planet in that regard.
Elevation? Again, I don’t rate it, but it has a natural, cool funk to it that was refreshing. I think perhaps with better (remotely decent would do) lyrics, it would come across a lot better. But then regardless, when the single was released as that God awful Tomb Raider mix, it gave us our first sign of what was about to spring from the depths of hell and try and pass itself off as U2 rock on the next album. Have I missed anything?
ATYCLB is a very weak album. It’s mostly completely forgettable. But it deserves none of the wrath that is fairly directed towards HTDAAB.
ATYCLB is weak. Very weak. But it’s not as bad or cheesy as HTDAAB. I give ATYCLB more credit because the songwriting seems more loose and natural, and because the album does have a feel or soul to it. It’s just that the songwriting wasn’t particularly great. They just didn’t hit many of them very far.
Beautiful Day is as great a pop-rock single as has ever been created by anyone. In A Little While is an absolute gem of a song. Those two, along with Stateless and Ground Beneath Her Feet, are thus far the cream of their post-Pop output. Then… ATYCLB does get murky.
The songs you name, you’re right on with them, but they’re certainly not cheesy. You’re bang on with New York, calling it impotent. It’s barely a b-side. Grace/Peace on Earth – weak. When I Look at the World – yawn - is not as truly offensively bad and anywhere near the same cheese stench level as, say, Yahweh. Not even close. It’s just… totally forgettable. Even still, it has a natural feel to it, which certainly can not be said for a song like Original of the Species, which sounds like a lot of very hard work and very little if any natural inspiration. The amount of artificial sweetener and cliché needing to be glued together on that one, it must have taken a lot of sweat, that’s for sure. As I’ve said before, they should have sold it to Robbie Williams, sent it back to it’s natural environs.
Walk On? While it was the first clue that U2 were quite happy to take their anthemic 80s sound and attach it to a fairly by-numbers standard stadium anthem style that has been the hallmark of U2-mimics for 15 years previous, I think no other band could write that song. It’s quality writing. It steamrolls all over the X&Y-esque Miracle Drug with absolute ease. If Miracle Drug were a band, it wouldn’t be good enough to open for Walk On. Maybe good enough to open for the Walk On cover band at the pub down the road. Maybe. It is uninspired, forced, formulaic, generally just lazy songwriting. Walk On, while certainly not to my taste, is on a whole other planet in that regard.
Elevation? Again, I don’t rate it, but it has a natural, cool funk to it that was refreshing. I think perhaps with better (remotely decent would do) lyrics, it would come across a lot better. But then regardless, when the single was released as that God awful Tomb Raider mix, it gave us our first sign of what was about to spring from the depths of hell and try and pass itself off as U2 rock on the next album. Have I missed anything?
ATYCLB is a very weak album. It’s mostly completely forgettable. But it deserves none of the wrath that is fairly directed towards HTDAAB.
ATYCLB is weak. Very weak. But it’s not as bad or cheesy as HTDAAB. I give ATYCLB more credit because the songwriting seems more loose and natural, and because the album does have a feel or soul to it. It’s just that the songwriting wasn’t particularly great. They just didn’t hit many of them very far.
Beautiful Day is as great a pop-rock single as has ever been created by anyone. In A Little While is an absolute gem of a song. Those two, along with Stateless and Ground Beneath Her Feet, are thus far the cream of their post-Pop output. Then… ATYCLB does get murky.
The songs you name, you’re right on with them, but they’re certainly not cheesy. You’re bang on with New York, calling it impotent. It’s barely a b-side. Grace/Peace on Earth – weak. When I Look at the World – yawn - is not as truly offensively bad and anywhere near the same cheese stench level as, say, Yahweh. Not even close. It’s just… totally forgettable. Even still, it has a natural feel to it, which certainly can not be said for a song like Original of the Species, which sounds like a lot of very hard work and very little if any natural inspiration. The amount of artificial sweetener and cliché needing to be glued together on that one, it must have taken a lot of sweat, that’s for sure. As I’ve said before, they should have sold it to Robbie Williams, sent it back to it’s natural environs.
Walk On? While it was the first clue that U2 were quite happy to take their anthemic 80s sound and attach it to a fairly by-numbers standard stadium anthem style that has been the hallmark of U2-mimics for 15 years previous, I think no other band could write that song. It’s quality writing. It steamrolls all over the X&Y-esque Miracle Drug with absolute ease. If Miracle Drug were a band, it wouldn’t be good enough to open for Walk On. Maybe good enough to open for the Walk On cover band at the pub down the road. Maybe. It is uninspired, forced, formulaic, generally just lazy songwriting. Walk On, while certainly not to my taste, is on a whole other planet in that regard.
Elevation? Again, I don’t rate it, but it has a natural, cool funk to it that was refreshing. I think perhaps with better (remotely decent would do) lyrics, it would come across a lot better. But then regardless, when the single was released as that God awful Tomb Raider mix, it gave us our first sign of what was about to spring from the depths of hell and try and pass itself off as U2 rock on the next album. Have I missed anything?
ATYCLB is a very weak album. It’s mostly completely forgettable. But it deserves none of the wrath that is fairly directed towards HTDAAB.
If Miracle Drug were a band.... then I would love that band!!!!
"From the brightest star, comes the blackest hole!"
I'm always surprised by the diversity of musical opinions. Yeah, the last two tracks on ATYCLB were kind of weak, but the rest of the album is some of the best songwriting that the band has ever done. And Peace On Earth, bad? That's my favorite song on the album. It's got a gorgeous melody, and reminds me of John Lennon and The Beatles. It's got a classic sound to it.
I think ATYCLB is a better album than Rattle and Hum, and that's saying something. Rattle and Hum was spotted with weak tracks, ATYCLB has two out of 12 tracks. That's pretty damn good.
A friend took me to see Coldplay live in 2005/2006 or thereabouts. Even though I find Coldplay to generally be kinda boring I did have a good time. But it struck me that Chris's stage antics were nearly identical to the ones Bono used the last two tours. Even the concert T-shirts looked nearly identical. It was weird. I guess imitation is the kindest form of flattery, no?
Do you think Eno was ever devastated by anything Coldplay did? According to RS, he told them they were stale, built their soundscapes for them, and even penned one of the best lyrics on the album.
it's almost like Chris Fuckin Martin masturbates to U2 concert videos, ya know? I mean, that's not too much of a stretch if you think about it.
That's a big if that I don't want to talk about.
Eno said NLOTH was "devastatingly brilliant."
Do you think Eno was ever devastated by anything Coldplay did? According to RS, he told them they were stale, built their soundscapes for them, and even penned one of the best lyrics on the album.
P.S. I'm a Coldplay fan. But Eno helps Coldplay but is devastated by U2.
Just listened to the latest Coldplay record which is an incredible piece of work that fills me up with hope that U2 used to give me. I am very curious if Eno has succeeded with U2 to create something like this. Whether you like coldplay or not and I lost them a bit on the incredibly whinny X&Y, this album KICKS ASS!!!!! I am curious if brain ENO has saved the best for U2 or he used it all up so to say on this record because his production of Viva la vida is absolutely brilliant
Read a comment recently about if U2 would produce utter BS it would still sound better than anything these guys or KOL for instance are capable of making. This pisses me off a bit and doesnt help in discussing the band we ALL love because it is complete crap
I am being honest to myself here but u2 have not produced a masterpiece for a long time and I want it desperately, I REALLY DO!
Eno said NLOTH was "devastatingly brilliant."
Do you think Eno was ever devastated by anything Coldplay did? According to RS, he told them they were stale, built their soundscapes for them, and even penned one of the best lyrics on the album.
P.S. I'm a Coldplay fan. But the relationships between the two bands and Father Eno are incredibly different.
Which lyrics did he write?