No MASSIVE guitar solos from the edge!!!!
No MASSIVE guitar solos from the edge!!!!
25 yrs
What's wrong? Well, MOS is skippable...
Oh, this makes a little more sense now.And Stand Up Comedy is awesome.
I don't think any U2 album has had a lyrical theme that was strong throughout. They've come close, but then always had two or three that broke away from the pack...
Ah that makes sense. AB is lyrically cohesive because it isn't cohesive BUT that 's the point because it isn't f'**king supposed to be cohesive.
F**KING genius.
And there was me thinking that AB was just a mis mash of ideas with a third of the songs having a common theme.
Hey that's your dilemma. Enjoy the record the way you like. You are the smart one here. But, you already knew that, though, didn't you?
oh, I fully agree
but if the battle between the self and the soul fits in because it can also be considered a kind of relationship then you could fit every U2 song in this theme
1. It's time to start dating again!
2. Meets a girl, tries to woo her
3. Then rationalize her into bed
4. Then scolds her when she refuses
5. Then laments that he can't get her
6. Then calls her a bitch
7. and decides he's too good for her or anyone.
8. But he cant get her off his mind
9. so he tries some drunk dialing
10. then pleading
11. until finally self loathing
12. causes him to give up on love all together.
Also, If you want to get into details why it isn't amongst the greats...
-Edge digs into his usual toolbox and doesn't break away from it
-Eno uses too many "cheerful" synth and keyboard sounds for an album that seems like it was supposed to have a darker tone.
-Bono's yelling voice is unnecessary in most places; it very poorly compliments the music on MOS
-The opening track doesn't hit you with a bang; its just kinda there.
-Boots feels like Vertigo pt.2
-Crazy Tonight feels like Crumbs pt.2
-The hype feels like it was way out of left-field (even more than normal) after hearing the material
-The promotional machine didn't seem to get into gear as quickly as it usually does
-Choruses that are "big" and have that "anthem" sound, another way of not breaking away from the norm.
-And finally, just saying the name of the song doesn't make for a great chorus "No, No line" and "At the Moment of Surrender..."
I actually agree with alot of this 'niggling'. There is NO cohesion on NLOTH, given that U2 are always saying they have this special 'chemistry when they get together in the same room, well it doesn't sound to me like they are even on the same page. There is certainly no theme and Bono's 'explanations' of his lyrics, I find completely dumbfounding. He is writing in the third person he says ,ok, but I don't think he is even writing about people, more like scenarios, bizarre, far-fetched, contrived scenarios: I mean a family at a funfair with impending doom approaching or something...what???? I think it's really time the man admitted once and for all that he shouldn't be writing lyrics (to publish) at all, that he never really had ANYTHING to say (which is why he writes about religion and politics, I rest my case) and that he is certainly not getting any better!!!!!! Even on a song like Moment of Surrender, which sounds personal, he uses all the same boring words and rhymes he's been using for years but he must be at his most boring yet. How anyone can be that strange and that boring at the same time....I don't know how he does it.
There is no cohesion, they are all pulling from separate places, doing their own different things and its really obvious.
And on a song like Cedars of Lebanon where it might be personal and about him, and I start to let myself go and feel and relate and empathize and think 'oooooohhhhhhhh poor Bono!!!' he announces to the world that it's about some effing political prisoner that I DON'T CARE ABOUT and I think 'well for god's sake why are you bringing HIM/HER into it???' This is about us! Not that he's done it yet. But I already feel betrayed! *hand on hip* I'm ready for it.
Btw I really like this thread. Alot of people have really good things to say. Alot don't. Still fun.
This just doesn't make any sense at all... Usually the bands that don't have anything to say avoid these topics.(which is why he writes about religion and politics, I rest my case)
Well I think you missed the point of some of these examples. Others went completely over your head and the others I'm worry you may be drinking...
This just doesn't make any sense at all... Usually the bands that don't have anything to say avoid these topics.
Who do you see as a cohesive band and someone who has something to say?
Alanis Morissette... But I can think of more, give me a minute.........
Nope Alanis says it all. I now know where you are coming from...
I can't believe you put Morrissey and Alanis in the same sentence, but then again Morrissey isn't the same writer he used to be.
John, I'm seriously perplexed by what you are saying... You state:Yeah, I know I haven't listened to the latest 'Years of Refusal' although I love the title. Anyone who knows Morissey even a little bit, just absolutely KNOWS what he is saying there. And he will be saying it all over the album I am sure. A BIT better than No line on the Horizon which has fans scratching their heads going 'it's an image of infinity that someone in the third person is having somewhere and it has something to do with the sea and the sky and the future, right?' And it either exists or it doesn't?' It's like this idea I am first making into an image, then finding a physical analogy to fit and then somehow make it into a theme, that's going to fit in well with all the other contrived personas and people who aren't him whose point of view he is writing from. Yeah good luck. Well I'm sorry the man just isn't up to it.
Anyone who knows Morissey even a little bit, just absolutely KNOWS what he is saying there.
always thought he was more mysterious and original than that.
But Morissey hasn't done anything very good since he came out. Which I have to be honest, disappointed me a little. I kind of always thought he was more mysterious and original than that.
compared to other albums the edge's solos don't seem as grand. love the album but it's always great when the edge goes off
compared to other albums the edge's solos don't seem as grand. love the album but it's always great when the edge goes off
John, I'm seriously perplexed by what you are saying... You state:
and then say:
But then complain that Bono is being too head scratching or vague for you...
What do you want mystery or the obvious answer?
Since he came out? Do you mean out of the closet? I didn't know he actually did that...
Truly baffling post.
John, why don't you just post specific lyrics you don't like, maybe some of us can help you out...
He's still alot more honest than Bono, I am never perplexed listening to Morissey, he doesn't have to invent bizarre explanations for his lyrics, they EXPLAIN THEMSELVES, not that everyone has to be the same you understand! No! Of course not!
I'll see if I can come up with some specific examples of lyrics I find and you guys can see if you can (please) explain them to me. Ok?! Thanks for the offer.
Yeah, you're gonna have to come up with examples because I still have no clue what you are trying to say, do you even know?
What bizarre explanations has Bono had to explain his lyrics?
Morissey has a lot of explaining to do to me. Hairdresser on Fire??? Seriously?
compared to other albums the edge's solos don't seem as grand. love the album but it's always great when the edge goes off
compared to other albums the edge's solos don't seem as grand. love the album but it's always great when the edge goes off
It's awesome, a great song, but is a bit too cliche, a bit too pompous, not as sincere as the songs around it, and I really don't like the keyboards in the intro.