djerdap
Rock n' Roll Doggie ALL ACCESS
- Joined
- Jun 8, 2004
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- 7,599
Fuck Mercy. Bloated, uninspiring, cheesy.
lazarus said:There may be some lame lines in the song, but they're excused by the brilliance of "you wanted violins/and you got Nero", which is better than pretty much anything that made the actual album, or the album before it.
And Acrobat, I agree. Nothing on The Bomb matches Mercy IMO. Only COBL comes close, and it could have been executed/produced better.
For any of the jackasses who are thinking of coming in here and disputing the notion that the old version of Mercy was completed, let's refresh everyone's memory with that old Blender article:
We have convened today to discuss the state of the U2 nation, their intriguing take on the world, and their eleventh studio album, How to Dismantle an Atomic Bomb. But before we can contemplate the latter and its bewildering title, U2 has some business to attend to and politely invites Blender to sit in on an impromptu band meeting.
"We're not fully agreed on what to do here," Bono explains, "so maybe you should vote, too."
The problem, if it can be called that, lies in the album's running order. After numerous attempts, U2 have yet to find a satisfactory flow, leading them to believe that there may be too many songs. So, right now, they must decide which tunes should be sacrificed.
As it stands, the album is three seconds shy of an hour and, as Bono says, "too much of a good thing is a bad thing," so drastic measures need to be taken.
"I have a theory," Mullen begins, and a reverential silence descends as the drummer -- traditionally the first band member to be shouted down in these situations -- states his case. After just five minutes, it has been unanimously decided that the track "Mercy," a six-and-a-half-minute outpouring of U2 at its most uninhibitedly U2-ish, must go.
Hence a song that any self-respecting band would be proud to call a single becomes what Bono immediately anoints "the best B-side you've ever heard."
Later, another more experimental candidate entitled "Fast Cars" ("an Irish/Mexican vibe") gets evicted, and the album becomes a lean and lithe 11 tracks.
Sounds like Fast Cars and Mercy were both finished at this point if they were simply deciding on the track order. Let's also take this opportunity to shout another giant FUCK YOU to Larry for ruining everything.
The problem, of course, is that the version of Mercy we have came from a CD that a member of interference got before the release. We never really got to the bottom of where the CD actually came from, and how early a copy it was.
So while the song it's self was finished, we really don't know for sure if the copy we have is that finished version. It certainly doesn't appear to have been properly mastered, which would make it "unfinished."
And kudos to Larry for dumping this meandering, bloated, boring pile of monkey crap.
Sincerely,
Idiotic jackasses
The problem, of course, is that the version of Mercy we have came from a CD that a member of interference got before the release. We never really got to the bottom of where the CD actually came from, and how early a copy it was.
So while the song it's self was finished, we really don't know for sure if the copy we have is that finished version. It certainly doesn't appear to have been properly mastered, which would make it "unfinished."
And kudos to Larry for dumping this meandering, bloated, boring pile of monkey crap.
Sincerely,
Idiotic jackasses
We've discussed it a thousand times, but there's a reason why people care so much about Mercy, and it's not its unreleased status. Nobody cares this much about Levitate. No, there's something inherently inspired and ragged about it that sets the song apart from everything else from the period.
"Larry makes some good decisions."
We got Vertigo, Miracle Drug, Sometimes, Love and Peace, City of Blinding Lights, All Because of You, A Man and a Woman, Crumbs, One Step Closer and Yahweh instead of Mercy.
lazarus said:I'd say the running time matches what is mentioned in the article. So while a "mastered" version would sound better, it probably wouldn't have sounded different.
And I'm trying to figure out what you're basing it being unmastered on? Is it possible that because it's a bootleg, it just wasn't copied in very high quality?
For me, Mercy, COBL, and OOTS are the only really good songs that came out of the Bomb era. I'd consider Yahweh and Vertigo to be decent. The rest are all varying shades of meh to me.
I seem to remember something about Mercy being sourced from a cassette tape.
It wasn't exactly difficult to rip a song from a CD in 2004. So I'm giving the benefit of the doubt that the original poster of the song wasn't a complete moron.
And the running time of many of the Chris Thomas versions of the song that we later got are similar to that of the finished products... so again, it's all assumptions. Even the thought that its unmastered because it was very easy to rip a song from a CD is just an assumption.
Would still love to get to the bottom of that story.
I was on here when we first got it 8 years ago and it's as much of an enigma now as it ever was.
Bono gave it to a an Interference member and it was track 12 on the CD? It's possible we were given a low quality rip so the tradability of the original was kept in tact? No beef intended.
That thread is a fun read.It was a cd - here's the proof:
http://www.u2interference.com/forum...e-w-achtung-bab-mercy-102136.html#post1855315
the song is impressive for a b-side ... now the discussions will begin if it should have been a regular track on the album!!!! someone start the thread!!!!