I've been a member of Interference for a number of years but I've been away for a while. Now the new album has me all fired up about U2 again, and I wrote an editorial about it at the newspaper where I work. Here it is:
Deb’s column – Oct. 30, 2014
It’s all about the music
I usually don’t have much sympathy for people who are extremely rich and famous. But when someone has been wrongly accused, I feel obligated to speak up in their defense.
So let me say this: It’s time to stop berating U2.
I’m referring, of course, to the “download debacle.” On Sept. 9, when Apple held one of its big media events to launch the new iPhone 6, CEO Tim Cook surprised everyone by announcing that all 500 million iTunes users would be getting a free digital copy of U2’s new album, Songs of Innocence.
This seemed like a brilliant strategy, given the longtime partnership between Apple and U2. In 2004, the company introduced its iPod through iconic commercials that featured people dancing in silhouette as they listened to their iPods. One of those dancers was U2 lead singer Bono, playing the band’s new single, “Vertigo.”
The collaboration was mutually beneficial. “Vertigo” was a huge hit, and the iPod sold like hotcakes.
This time, however, it wasn’t quite a marriage made in heaven. The whole thing turned into a PR nightmare, thanks to an enormous tactical blunder.
According to the members of U2, Apple execs told them that the album would be “in the cloud.” In other words, iTunes users would be asked. “Hey, would you like to listen to this? It’s free!” If they clicked yes, it would download to their account.
But for people with iPhones and other mobile devices, the album automatically downloaded, taking up valuable storage space. This set off such a flurry of rage and ridicule that Apple had to quickly create a fix so people could remove the unwanted album.
Throughout all the media coverage of this embarrassment, nobody was talking about what mattered to me: U2 hadn’t released a studio album in almost six years. What was the music like? Was it any good?
It took a while for me to find out, because I don’t download. In order to send files electronically, they have to be compressed, which degrades the quality of the music.
And having grown up with vinyl records, I still want a physical object I can hold in my hands. I want the artwork, the liner notes, the production credits, the lyrics.
The CD edition of Songs of Innocence was released on Oct. 14. When I finally listened to the album 10 days later, I was relieved to find it contained everything I hoped for: the catchy songs that make it impossible not to sing and dance; the emotional songs that grab your heart and rip it out of your chest; and the transcendental songs that make you feel as if your consciousness has separated from your body and levitated to a higher plain.
I realize how crazy that sounds, but many people have described similar reactions to U2’s music. That’s why 7.2 million of them showed up for the band’s last tour – by far the highest attendance of any tour in music history.
The best news for me is that there is more to come. Songs of Innocence is what used to be known as concept album, with all of the tracks related to a central theme. In this case, it’s about the band members growing up on the bleak north side of Dublin during the 1970s, when Ireland was still mired in “the troubles.”
Bono says the next album will be a sequel called Songs of Experience. But I’m in no hurry for that one. I’m having too much fun with the current release, which is perhaps U2’s most cohesive album since 1983’s War.
As for all the whiners who complained about their “free gift” without bothering to listen to it – that’s their loss, not mine.
Deb’s column – Oct. 30, 2014
It’s all about the music
I usually don’t have much sympathy for people who are extremely rich and famous. But when someone has been wrongly accused, I feel obligated to speak up in their defense.
So let me say this: It’s time to stop berating U2.
I’m referring, of course, to the “download debacle.” On Sept. 9, when Apple held one of its big media events to launch the new iPhone 6, CEO Tim Cook surprised everyone by announcing that all 500 million iTunes users would be getting a free digital copy of U2’s new album, Songs of Innocence.
This seemed like a brilliant strategy, given the longtime partnership between Apple and U2. In 2004, the company introduced its iPod through iconic commercials that featured people dancing in silhouette as they listened to their iPods. One of those dancers was U2 lead singer Bono, playing the band’s new single, “Vertigo.”
The collaboration was mutually beneficial. “Vertigo” was a huge hit, and the iPod sold like hotcakes.
This time, however, it wasn’t quite a marriage made in heaven. The whole thing turned into a PR nightmare, thanks to an enormous tactical blunder.
According to the members of U2, Apple execs told them that the album would be “in the cloud.” In other words, iTunes users would be asked. “Hey, would you like to listen to this? It’s free!” If they clicked yes, it would download to their account.
But for people with iPhones and other mobile devices, the album automatically downloaded, taking up valuable storage space. This set off such a flurry of rage and ridicule that Apple had to quickly create a fix so people could remove the unwanted album.
Throughout all the media coverage of this embarrassment, nobody was talking about what mattered to me: U2 hadn’t released a studio album in almost six years. What was the music like? Was it any good?
It took a while for me to find out, because I don’t download. In order to send files electronically, they have to be compressed, which degrades the quality of the music.
And having grown up with vinyl records, I still want a physical object I can hold in my hands. I want the artwork, the liner notes, the production credits, the lyrics.
The CD edition of Songs of Innocence was released on Oct. 14. When I finally listened to the album 10 days later, I was relieved to find it contained everything I hoped for: the catchy songs that make it impossible not to sing and dance; the emotional songs that grab your heart and rip it out of your chest; and the transcendental songs that make you feel as if your consciousness has separated from your body and levitated to a higher plain.
I realize how crazy that sounds, but many people have described similar reactions to U2’s music. That’s why 7.2 million of them showed up for the band’s last tour – by far the highest attendance of any tour in music history.
The best news for me is that there is more to come. Songs of Innocence is what used to be known as concept album, with all of the tracks related to a central theme. In this case, it’s about the band members growing up on the bleak north side of Dublin during the 1970s, when Ireland was still mired in “the troubles.”
Bono says the next album will be a sequel called Songs of Experience. But I’m in no hurry for that one. I’m having too much fun with the current release, which is perhaps U2’s most cohesive album since 1983’s War.
As for all the whiners who complained about their “free gift” without bothering to listen to it – that’s their loss, not mine.