It's been nearly a month, so here goes:
No Line on the Horizon 4/5
[Really strong opener - and a real grower too. I'm surprised at how much this keeps revealing]
Magnificent 4/5
[Good, with a really great chorus, some nice slide guitar too, though not the great song it might have been]
Moment of Surrender 5/5
[What an incredible song - who thought they could have produced something this good so late in their career? That first line is just superb, the chorus is great, the lyrics are excellent, and Eno's broken cartwheel sequence underneath the track is just a lovely touch. Who knows where the 7.20 goes - it never drags.]
Unknown Caller 4/5
[That intro is amazing, Edge's chiming guitar back again and a little irritating, but the song is saved by a chorus that I had stuck in my head from the time I saw it in Lanois's film. Love the arrangement of this song too: just different enough to be really intriguing and to keep rewarding repeated listens]
Crazy Tonight 3/5
[Chorus is great, chiming guitar is irritating, and the 'Baby, baby, baby' bit just puts me off]
Get On Your Boots 3.5/5
[I love the percussion loop in the first verse, but the track itself is a little too forced and too loud. Still can't get my head around the 'You don't know...' part which I find a little too disruptive, but the 'Let me in the sound' part is excellent]
Stand Up Comedy 2/5
['Stop helping God across the road like a little old lady' - enough said]
Fez - Being Born 4/5
[Again really interesting mix of styles and driving guitar. The arrangement is perhaps the most curious thing about this track - where is this going to? Answer: nowhere really, with no chorus, but three parallel verses that are still intriguing and keep giving more. There's Edge's chiming guitar again at the end though, which does grate a little. Can someone take it off him/turn it down/off?]
White As Snow 3.5/5
[Nice song, whose lyrics still remind me of 'Peace on Earth' in the first verse. The intro with the backwards loop is great and the Morricone-style French horn bridge is really good too, but it doesn't quite reach the heights it might, or those that 'Cedars of Lebanon' manages. Still, a good link at this point in the album and makes sense in context]
Breathe 3/5
[Great rolling drum and cello intro, great verses with a brilliant vocal delivery, less interesting bridge to the choruses, even less interesting and blindingly obvious (I might even say boring) chorus, which lets the song down a little. Seems a little too much like 'U2 by numbers' - as the critics are wont to write - for my tastes]
Cedars of Lebanon 4.5/5
[Now this is more like it and one of their best endings to an album. Lanois using the sample of Eno and Harold Budd, with the guitar moving through it is an inspired start, followed by one of Larry Mullen's most interesting drum tracks on the album (interesting for its understated simplicity), with a brilliant 'Walk to the Water' vocal delivery from Bono and one of the most interesting lyrics he's written in years. Eno's addition of the background samples that jump in and out of the second verse is brilliant, and then there's that chorus and the short bridge to the final verse that is possibly my favourite 'moment' of the album. Great finish]