intedomine
Rock n' Roll Doggie FOB
Pffft, site dont even work...
Hey everyoe - have yo been over to this thread??
http://www.u2interference.com/forums/f194/lyrics-to-nloth-clips-193186-2.html
One of our fellow posters appears to be in the know. They have listed lyrics for Being Born and Stand Up Comedy; they both look legit.
I like those. Hope they're real.
But how would he know?
I doubt I will be giving in and listening to them, only thing keeping me is the fact that we will get to hear the title track tomorrow. I gave into temptation once w. the 30 second clips, dont regret it, but it was against my better judgement if that makes sense!
Anyways, I dont want to be completely unexposed to the new clips, so I am hoping those who have heard them can talk about it in this thread.
I would be very interested to hear: 1.)Are they just extensions of the 30 second ones, i.e. in about the same place in the song?
2.)Do they reveal anything more?
OMGZ!!! MAGNIFZIENT!!!
No really, if the song is as good as its intro....I think its going to rank somewhere around the heights of Bad and Streets.
Haven't you heard? 2000's U2 is incapable of creating any music at the level of 1980's U2. It doesn't matter if GOD HIMSELF produces NLOTH. New U2 is bland, horrible, by the book, safe, shitty, poopy, CRAP. New U2 is not even worthy to live on the same planet as old U2. Doesn't matter how AMA-ZA-ZING Magnificent is, it is DOOMED by the fact that is was created post-Pop. We all know that EVERYTHING post-Pop is absolute tripe.
All you fanboys and fangirls thinking that this new album might actually be pretty good are obviously Kelly Clarkson newbie fans who sing Vertigo as you walk to class and drive to work! HAHAHA! Who likes Vertigo? It's such a simple, fun, rockin' song. Nobody likes those. I'd take Elvis Presley & America any day over Vertigo. Look around. U2 sucks.
.......
wow, the new clips are pretty different from the first set!
I think they are pretty much the same, except for a couple of seconds.
Listened to both set of clips yesterday and they are brilliant.
My favourites are still Snow and Cedars, because Bono's voice is amazing and I love the MDH feel.
Of course, Magnificent. UC and MOS are still mysteries, I'm curious about them, but I like the mood of those pieces.
Fez is still confusing me.
Against my expectations, I'm pretty excited about Crazy Tonight and found myself already singing along to it. Not so sure about SUC, but I like the lyrics. And I cannot get the title track out of my head, so great.
?????Remember the days when every second of every U2 song had something interesting happening in it? I've now heard 30+ seconds of every song, and the only one that sounds genuinely catchy to me is "Magnificent". But, even that sounds so plain. There is a frightening sterility to what I'm hearing from this album that I could never imagine coming from Achtung Baby or The Joshua Tree. Every second of those albums pops.
I think you could take any 20-second swatch of "I Still Haven't Found What I'm Looking For" or "The Fly" and find interesting little organic harmonic events - sounds that collide with one another to create even more sounds that maybe aren't even technically there. I don't think you could find a 20- or 30-second clip from either of those albums where you're struggling to find something truly intriguing, some kind of depth. They sounded RICH and ALIVE. This sounds so synthetic and bland. Scary.
Think this is going to be a really great one.
Have the same feeling as with AB...some songs really give me that driven haunting gloomy melancholical feeling...
2. I can't listen to Breathe without hearing REM's Departure (from their great (and underrated) New Adventures in Hi-Fi).