Does it still have that horrendous "there is no them" outro?
You're just a ray of sunshine, aren't you?
Does it still have that horrendous "there is no them" outro?
Does it still have that horrendous "there is no them" outro?
I still can't get behind this song. I love how propulsive the opening feels, and Edge's guitar tone is the most interesting sound I've heard from him in years.
But the stop-and-start drum pattern that shows up in the verses and then permeates the choruses ruins the song's momentum for me. And the big chorus full of chiming guitar and Bono's whiny shouting tone bores me. The band on autopilot. Mostly I think Larry needs to break out of his usual drumming patterns, which I'm not sure how to characterize - but I know em when I hear em
If this was released on The Joshua Tree, it'd be universally considered the greatest song ever written, not even debatable.
If this was released on The Joshua Tree, it'd be universally considered the greatest song ever written, not even debatable.
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Now he sings
"... There is no You, its only me... There is no U , its only me!
Me... me... me and the edge!
There is no U, its only meeeee... There is no U , its only meeeee!
Me... me... meeeee and the Eeeeedge! "
Or is it a ballad as Edge´s sliding guitar riff and the outro There is no them points out?
Or is it a ballad as Edge´s sliding guitar riff and the outro There is no them points out?
I wouldnt really class it as new though. Its over 8 months old!
It's still my favourite of the new songs, save for The Troubles maybe.
I love it so much, it's everything I ever wanted from them. Dumbfounded they didn't put it on the album, but as long as they play it live, I'll be okay.
It's not credited at all. No lyrics or production credits -- like it's not there.I'm so glad they included the full version on the album even if it is just on the deluxe version and unlisted. It really seems to have great potential live in concert. I mean if you don't care for watch the RED video and/or commercial for it from the Super Bowl again. It will really pump people up live Elevation style.
Does anybody know it is it credited in the CD booklet?
Very disappointed that the band didn't put extra work into "Invisible." I'd dare say that the "Red Edit" is the better version. There's not enough variation going on to justify the longer length. That synth just doesn't work. Fun chorus, though, like "Window in the Skies"; typical post-'90s U2. Nothing amazing, but inspiring during a gym work out.
It's not credited at all. No lyrics or production credits -- like it's not there.
Agree with you on some things here. I really like the song. But it seems like to get the longer version they did a quick Copy-Paste job to lengthen it. There are no new riffs/vocals/anything.
New as in post-NLOTH era.
Every Breaking Wave is less new if we're being pedantic
Nah. The song IS much more than the majority of people on this board realize.
I agree with this. I'm just getting around to hearing the song this weekend, and it's good-ish, but nothing special. Honestly, I think U2 can write pop songs like this in their sleep. I also thought of 'Window in the Skies' when I heard it -- nice catchy melody, tasteful arrangement, Larry/Adam on autopilot, and somehow the end result is U2-by-Numbers blandness.Very disappointed that the band didn't put extra work into "Invisible." I'd dare say that the "Red Edit" is the better version. There's not enough variation going on to justify the longer length. That synth just doesn't work. Fun chorus, though, like "Window in the Skies"; typical post-'90s U2. Nothing amazing, but inspiring during a gym work out.
Where do you place it on SOI? I think it works great as an intro but also matches well with Crystal Ballroom.
Thematically, Invisible, This Is Where You Can Reach Me Now, the Miracle, and Lucifer's Hands all work together.
I agree with this. I'm just getting around to hearing the song this weekend, and it's good-ish, but nothing special. Honestly, I think U2 can write pop songs like this in their sleep. I also thought of 'Window in the Skies' when I heard it -- nice catchy melody, tasteful arrangement, Larry/Adam on autopilot, and somehow the end result is U2-by-Numbers blandness.
For this reason, I think I can see why it's not on SOI. Most of the new album's songs strike me as more challenging -- even though some of them ('Vocano', 'Cedarwood Road', 'California') aren't as "good" as Invisible, they're all more interesting sonically.