Dorian Gray
Refugee
We often discuss how there are moments on U2 albums that seem to hint to the next one's sound. The link between AB and God part II is perhaps the most obvious example. So what do you think H2DAAB offers in this respect?
I think Love and Peace is an obvious contender.
Consider:
1. The marriage of U2s current songwriting with Lanois and Eno production, and Eno's keyboard contribution, which arguably deserves partial songwriting credit.
2. The idea that the next record supposedly bridges the traditional leanings of Lanois with the experimental drive of Eno. LAPOE is essentially a blues tune, that could be easily distilled to acoustic guitar and sung in a straightforward manner. But, they approach it quite differently on record. The keys in particular add an otherworldly dimension.
3. While the track sounds in no way "trance," or Moroccan, it does rely heavily on rhythm and a driving drumbeat to propel it. At least in terms of how it's mixed, this might hint to how the guys will sound on the record.
4. This is the only track that might somehow be considered Venusian in origin.
Thoughts?
I think Love and Peace is an obvious contender.
Consider:
1. The marriage of U2s current songwriting with Lanois and Eno production, and Eno's keyboard contribution, which arguably deserves partial songwriting credit.
2. The idea that the next record supposedly bridges the traditional leanings of Lanois with the experimental drive of Eno. LAPOE is essentially a blues tune, that could be easily distilled to acoustic guitar and sung in a straightforward manner. But, they approach it quite differently on record. The keys in particular add an otherworldly dimension.
3. While the track sounds in no way "trance," or Moroccan, it does rely heavily on rhythm and a driving drumbeat to propel it. At least in terms of how it's mixed, this might hint to how the guys will sound on the record.
4. This is the only track that might somehow be considered Venusian in origin.
Thoughts?
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