BVS
Blue Crack Supplier
They can't that's why. They are not that prolific!!!
I dare say U2 are probably more prolific than they are given credit for, but they can be horrible self editors at times...
They can't that's why. They are not that prolific!!!
But don't you think that appropriately adding instrumentals to an album can help give it that album atmosphere that was missing on HTDAAB (and arguably since the early 1990s)?
I agree with your first sentence, but I just don't think that each track on a U2 album has to represent that. As you have argued eloquently many times, it's precisely that type of thinking that led to the lack of album cohesion on HTDAAB.
I think U2's instrumentals from the UF era are pretty much great (although the one that ended up on the album is easily the weakest). Bass Trap effortlessly creates an incredible atmosphere. If they had something like that that came out of a Fez jam session, or from Danny messing around on the lap or pedal steel, I'd love to see it worked into an album (if it fits).
Or even a pseudo-instrumental that is bizarre and off-the-cuff like J. Swallo could work. I'd love U2 to put a track on there that doesn't sound so complete and single-worthy, but works only to create or continue a mood/atmosphere. A spacey instrumental that segues into Magnificent (with that monstrous drum-fill and soon-to-be legendary Edge riff)? Count me in.
But I'm talking purely length and why it was considered a double album at the time...
You can argue the merits of content in another thread. If someone released a double album of all covers it's still a double album.
If they did throw a minute or two long instrumental on this next album and it worked then I'd be all for it. I just haven't liked any of their previous ones. For example...I felt that 4th of July was just Meh for me.