Trouble with lyrics is that taken out of context, they can sound terrible.
"And you give yourself away.
And you give, and you give, and you give yourself away"
"Oh, but I still haven't found what I'm looking for"
"baby baby baby,
baby baby baby,
baby baby baby,
light my way"
"please, please, please
get up off your knees"
(the infamous "knees" is there and it rhymes with "please"!
)
"kiss the sky"
"my mammy, Miami"
I can go on and on, but you get my point. All of these lyrics could sound ridiculous if read. Yet, they are from what most U2 fans consider are U2's best songs.
Part of the problem with pop or rock lyrics is that there is some repetition, rhyming and some non-sensical parts. But together, with the beat of the song, the blaring guitar and the soaring vocals, the song works. GOYB had strong lyrics - maybe not Bono's best, but did they need to be? The double meaning, the vagueness and ambiguity allowed us to create our own interpretations. Far better than a song like "My Life Would Suck Without You", which basically tells you about the entire song in the title.
Hence, I try not to pre-judge a few token notes or a few token lines or even a title of a song until I hear it completely. I recally the snippet of "Beautiful Day" that U2 gave away before the release of ATYCLB. It was the last 20-30 seconds at the end. Based on that ending, I envisioned a very different song. Similarly, did you have any idea a song with a clumsy title like "Where the Streets Have No Name" would not only be one of U2's biggest hits, but one of the best concert songs of all time?
If, after you hear the song, you still aren't a fan, that's cool. But at least give the song a chance and recognize that while you may hate a lyric, some may love it.