WalkOn21
Refugee
Well, fair enough. We're straying off-course here anyway, the thread being about a Pop reissue.
i want super city mania. oh, and return of the fly. i don't even know what these songs became, if they even did become something we've heard on an album, but i just like the titles.
if they decide to "remix" the album, that's fine with me as long as they give us the original too. even if they did just give us a remixed/retouched/whatever album i'd still have the original, but still. it certainly wouldn't be the first time a band i like came out with a remaster that had shit changed around. i'd probably hate the remixed version (that's not me hating on current-day u2, but just because they're in a totally different headspace now) but oh well.
i'd just want lots of rarities. hell, i want lots of rarities and demos for all their albums. i'd love it if they decided to give fans one big vault raid after they call it a day and give us demos for all the albums.
Pop deserves a single disc remaster at most. Just to make it good.
If the second disc is nothing but 10 remixes of Happiness Is a Warm Gun, I will shoot myself in the head.
It's okay; I've never held a gun and would probably miss.
They need to make the uber version cost USD$50,000. As a joke about consumerism, of course.
I'd love to see a "finished" Pop, but only if it was finished by the band in it's 1997 state of mind. Their new mixes for the Pop songs on the Best of 1990s-2000s were all worse than the originals to me. I think they've got so much mixed up emotions with that record I don't think I could trust them to "finish" the music without altering it's character (like turning Discotheque into a straightforward rock song) too much.
One of the reasons I like Pop so much is there is a certain rawness to it that I find unique in the U2 catalog. Now that may have been a product of the band struggling to finish it in time for the tour, but I think it forced them to make choices they may not have made had they had plenty of time to figure it all out - and I think the album is a little more daring because of it. Seeing as this was pre-Pop, maybe with more time the album would've simply been finished without losing its edge - but that's what worries me about the prospect of U2 going back to finish it now. I'd be worried they'd polish it to a glaring sheen and cover up every exposed nerve and every bit of rawness on the record. Hell, they already did a good enough job in '98 of turning Please into an over-produced and sedated version of itself for the single.
But if they could somehow clear their heads of all their (mostly self-induced) Pop-drama and approach the music as faithful to the original vision as they could, hey, I'd love to hear it.
I'm not a big fan of pop music, which is probably why I don't like Pop much.
I know, it's not straightforward pop. I'd rather listen to Pop than many other artists' albums, but I still don't like it much. I don't like the parody of pop culture and the electro style. I like rock U2 better.Pop is not an album of pop music. It's a rock album with electronic music influences which parodies pop culture. Or tries to do that anyway.
I know, it's not straightforward pop. I'd rather listen to Pop than many other artists' albums, but I still don't like it much. I don't like the parody of pop culture and the electro style. I like rock U2 better.
That it may be, but it just didn't strike me very much.Pop *is* a rock album, despite the electronic influences. I take it, therefore, that by 'rock' you mean classic rock without any experimental stuff going on.
How did you like Achtung Baby?
I'd be up for that. The Vertigo version of Discothèque was pretty awesome, even though it was straightforward rock-y than the PopMart version. They still did a good job of capturing the sort of... manic nature of the song. And the light show was epic.Globo14 said:I wouldn't mind hearing them do a version of Discotheque exactly like the version they played on the Vertigo Tour. I know some people didn't like it because it was too much rock, but I think it kicked ass. I'm not a big fan of pop music, which is probably why I don't like Pop much. Though Discotheque is pretty good as is.
TheEdge25 said:I think on a POP re-issue Miami should be removed from the album altogether
God no. I love that song. I'm so glad that U2 wrote Miami.
TheEdge25 said:I don't know. I maybe don't listen to it enough. But I've never been able to get into it.