LuckyNumber7
Blue Crack Addict
Greetings, survey participants. Thank you all for participating in the U2 catalog survey. In total, we had 28 participants. The survey was designed to develop a numerical ranking of the entire U2 catalog, but also gather demographic data and search for various correlations. Forewarning: I imagine this thread won't be too kind to people not using a web browser to view it.
Some Statistics Background
A quick brush up on some definitions and assumptions made for this survey are in the spoiler below. Some of this might be obvious to some of you, but it's put here for anyone who may or may not have a background with using statistics.
All Songs Ranked
Drunk Chicken/America rounds out the survey as the worst U2 song. Check out the list to see how the top songs rounded out!
All Non-Album Songs Ranked
In addition to ranking all of the songs, a filtered list has been created for all songs that did not appear on the album. Treat this as perhaps a somewhat blind admission from everyone of how they really feel about B-sides.
Some Statistics Background
A quick brush up on some definitions and assumptions made for this survey are in the spoiler below. Some of this might be obvious to some of you, but it's put here for anyone who may or may not have a background with using statistics.
To begin, surveys like this estimate the 'true population' by ways of taking smaller samples and estimating, much in the way of public opinion towards a political candidate or something along those lines. In our case, the population, if we are being technical, is U2 fans from Interference. That's right, this data is technically 100% valid for estimating that population and that population alone. However, statistics is where math and logic meet qualification. Therefore, it's a reasonable assumption to say that U2 fans from interference indeed represent U2 fans on internet web forums, and are likely a good approximation for the more diehard or active U2 fans in general. So, from here on out, when I refer to the population, imagine I'm referring to one of those - whichever you prefer.
Our primary intention was to rank the songs. That was achieved. Secondary intentions included data digging. In order to find relationships across large swaths of data such as U2's musical catalog, you typically need a large sample size, which we did not have. But fret not, this does not mean these relationships do not exist, but rather some are ambiguous given the smaller sample size. With that being said, we can focus on what we did find (and feel free to ask me to look at something in specific, as there are millions of ways to break the data down and I could only do a handful).
In regards to what sort of statistical testing took place - not to get too boring at this point - I stuck mainly to hypothesis testing, typically using two-sampled t-tests. In this case, non-overlapping demographics were viewed as two different samples. With hypothesis testing, you're basically comparing two groups and asking "are these groups the same?" The standard assumption is that they are. For example, if we want to see how men and women score U2 songs, we would first start by collecting the responses. Then, under the assumption that there is no difference between the two, you run some statistical tests. What makes us be able to tell the difference? Well, it's quite arbitrary in some light. We assign what's called a 'significance level.' The standard is 5%, which is what I've used everywhere unless noted otherwise. That pretty much means that if the test shows up below that 5%, then the original hypothesis that, for example, men and women rated U2 songs equally, would be false. Note that if the test doesn't show up below that 5%, it doesn't mean the original hypothesis was true, just that we can't prove anything!
A word on deviation. When you see that number tossed around, it refers to the sample standard deviation. It's a measure of how spread out all of the answers were, or in other words, a measure of how little or how much everyone in this survey agreed on a number. Note that this is not the same thing as a margin of error. I repeat: this is not the same as a margin of error. If you see the deviation overlapping into a rank below it, it doesn't necessarily mean these two values could switch places. They could, that's true, and deviation could play a role in it, but to be able to tell whether or not a value is truly above or below another requires hypothesis testing. Sometimes very close numbers can be discerned, and other times far numbers struggle to be. So if you have any questions, just ask.
Our primary intention was to rank the songs. That was achieved. Secondary intentions included data digging. In order to find relationships across large swaths of data such as U2's musical catalog, you typically need a large sample size, which we did not have. But fret not, this does not mean these relationships do not exist, but rather some are ambiguous given the smaller sample size. With that being said, we can focus on what we did find (and feel free to ask me to look at something in specific, as there are millions of ways to break the data down and I could only do a handful).
In regards to what sort of statistical testing took place - not to get too boring at this point - I stuck mainly to hypothesis testing, typically using two-sampled t-tests. In this case, non-overlapping demographics were viewed as two different samples. With hypothesis testing, you're basically comparing two groups and asking "are these groups the same?" The standard assumption is that they are. For example, if we want to see how men and women score U2 songs, we would first start by collecting the responses. Then, under the assumption that there is no difference between the two, you run some statistical tests. What makes us be able to tell the difference? Well, it's quite arbitrary in some light. We assign what's called a 'significance level.' The standard is 5%, which is what I've used everywhere unless noted otherwise. That pretty much means that if the test shows up below that 5%, then the original hypothesis that, for example, men and women rated U2 songs equally, would be false. Note that if the test doesn't show up below that 5%, it doesn't mean the original hypothesis was true, just that we can't prove anything!
A word on deviation. When you see that number tossed around, it refers to the sample standard deviation. It's a measure of how spread out all of the answers were, or in other words, a measure of how little or how much everyone in this survey agreed on a number. Note that this is not the same thing as a margin of error. I repeat: this is not the same as a margin of error. If you see the deviation overlapping into a rank below it, it doesn't necessarily mean these two values could switch places. They could, that's true, and deviation could play a role in it, but to be able to tell whether or not a value is truly above or below another requires hypothesis testing. Sometimes very close numbers can be discerned, and other times far numbers struggle to be. So if you have any questions, just ask.
All Songs Ranked
Drunk Chicken/America rounds out the survey as the worst U2 song. Check out the list to see how the top songs rounded out!
PHP:
"
+------+---------------------------------------------------------+-----------+--------------+
| Rank | Song Title | Score | Deviation |
+------+---------------------------------------------------------+-----------+--------------+
| 1 | Where the Streets Have No Name | 9.86 | 0.356 |
| 2 | Bad | 9.82 | 0.670 |
| 3 | With or Without You | 9.64 | 0.621 |
| 4 | Until the End of the World | 9.46 | 0.793 |
| 5 | New Year's Day | 9.25 | 0.928 |
| 6 | All I Want is You | 9.25 | 1.005 |
| 7 | The Fly | 9.21 | 0.917 |
| 8 | Zooropa | 9.21 | 1.067 |
| 9 | Sunday Bloody Sunday | 9.14 | 0.848 |
| 10 | Stay (Faraway, So Close!) | 9.14 | 1.079 |
| 11 | Pride (in the Name of Love) | 9.07 | 0.979 |
| 12 | A Sort of Homecoming | 9.07 | 1.052 |
| 13 | The Unforgettable Fire | 9.04 | 1.071 |
| 14 | One | 9.00 | 1.805 |
| 15 | Running to Stand Still | 8.93 | 1.120 |
| 16 | Heartland | 8.93 | 1.359 |
| 17 | I Still Haven't Found What I'm Looking For | 8.89 | 1.315 |
| 18 | One Tree Hill | 8.86 | 1.353 |
| 19 | Love is Blindness | 8.79 | 1.101 |
| 20 | Gloria | 8.79 | 1.134 |
| 21 | Acrobat | 8.71 | 1.272 |
| 22 | Beautiful Day | 8.68 | 1.090 |
| 23 | Lemon | 8.64 | 1.768 |
| 24 | I Will Follow | 8.61 | 1.066 |
| 25 | Mysterious Ways | 8.57 | 1.103 |
| 26 | Out of Control | 8.57 | 1.168 |
| 27 | The Electric Co. | 8.57 | 1.200 |
| 28 | Zoo Station | 8.54 | 1.105 |
| 29 | Gone | 8.54 | 1.401 |
| 30 | Ultraviolet (Light My Way) | 8.54 | 1.795 |
| 31 | Hold Me, Thrill Me, Kiss Me, Kill Me | 8.46 | 1.598 |
| 32 | Moment of Surrender | 8.43 | 1.372 |
| 33 | Kite | 8.39 | 1.286 |
| 34 | In God's Country | 8.36 | 1.193 |
| 35 | Promenade | 8.25 | 1.506 |
| 36 | Exit | 8.25 | 1.578 |
| 37 | Please | 8.25 | 1.936 |
| 38 | Even Better than the Real Thing | 8.11 | 1.031 |
| 39 | City of Blinding Lights | 8.07 | 1.215 |
| 40 | Who's Gonna Ride Your Wild Horses | 8.07 | 1.331 |
| 41 | Red Hill Mining Town | 8.04 | 1.374 |
| 42 | The Troubles | 8.04 | 1.953 |
| 43 | Lady with the Spinning Head | 8.00 | 1.440 |
| 44 | Bullet the Blue Sky | 7.96 | 1.688 |
| 45 | Drowning Man | 7.93 | 1.274 |
| 46 | Mothers of the Disappeared | 7.93 | 1.359 |
| 47 | An Cat Dubh | 7.89 | 1.370 |
| 48 | Invisible | 7.86 | 1.079 |
| 49 | Walk On | 7.86 | 1.380 |
| 50 | Your Blue Room | 7.82 | 1.806 |
| 51 | The Ground Beneath Her Feet | 7.82 | 1.867 |
| 52 | Every Breaking Wave | 7.79 | 1.287 |
| 53 | October | 7.79 | 1.371 |
| 54 | Mofo | 7.79 | 1.950 |
| 55 | Desire | 7.68 | 1.307 |
| 56 | Do You Feel Loved | 7.68 | 1.389 |
| 57 | Love Comes Tumbling | 7.68 | 1.541 |
| 58 | Fez - Being Born | 7.64 | 1.162 |
| 59 | Discotheque | 7.64 | 1.446 |
| 60 | Miss Sarajevo | 7.61 | 1.257 |
| 61 | 11 O'Clock Tick Tock | 7.61 | 1.595 |
| 62 | No Line on the Horizon | 7.57 | 1.289 |
| 63 | Hawkmoon 269 | 7.57 | 1.574 |
| 64 | Angel of Harlem | 7.57 | 1.643 |
| 65 | Iris (Hold Me Close) | 7.50 | 1.262 |
| 66 | So Cruel | 7.50 | 1.836 |
| 67 | Like a Song… | 7.46 | 1.374 |
| 68 | Into the Heart | 7.43 | 1.709 |
| 69 | Stateless | 7.39 | 1.571 |
| 70 | Tomorrow | 7.36 | 1.592 |
| 71 | Wake Up Dead Man | 7.32 | 1.744 |
| 72 | The Crystal Ballroom | 7.29 | 1.410 |
| 73 | A Day Without Me | 7.29 | 1.560 |
| 74 | "40" | 7.29 | 1.782 |
| 75 | Last Night on Earth | 7.25 | 1.404 |
| 76 | Vertigo | 7.25 | 1.691 |
| 77 | Luminous Times (Hold on to Love) | 7.21 | 1.641 |
| 78 | Magnificent | 7.21 | 1.686 |
| 79 | Electrical Storm | 7.18 | 1.467 |
| 80 | Dirty Day | 7.14 | 1.671 |
| 81 | Cedarwood Road | 7.14 | 1.715 |
| 82 | Two Hearts Beat as One | 7.11 | 1.548 |
| 83 | Mercy | 7.11 | 1.663 |
| 84 | Wire | 7.07 | 1.804 |
| 85 | Slug | 7.04 | 1.835 |
| 86 | Sleep Like a Baby Tonight | 7.04 | 1.875 |
| 87 | Staring at the Sun | 7.00 | 1.305 |
| 88 | Raised by Wolves | 7.00 | 1.540 |
| 89 | Indian Summer Sky | 7.00 | 1.540 |
| 90 | The First Time | 6.96 | 1.503 |
| 91 | Twilight | 6.93 | 1.331 |
| 92 | Surrender | 6.93 | 1.331 |
| 93 | Spanish Eyes | 6.93 | 1.464 |
| 94 | The Wanderer | 6.93 | 1.783 |
| 95 | If You Wear that Velvet Dress | 6.93 | 1.980 |
| 96 | Rejoice | 6.89 | 1.812 |
| 97 | Breathe | 6.89 | 2.025 |
| 98 | Miracle Drug | 6.86 | 1.353 |
| 99 | Shadows and Tall Trees | 6.86 | 1.380 |
| 100 | Seconds | 6.82 | 1.307 |
| 101 | God Part II | 6.82 | 1.827 |
| 102 | This is Where You Can Reach Me Now | 6.79 | 1.618 |
| 103 | North and South of the River | 6.79 | 1.663 |
| 104 | Sometimes You Can't Make it on Your Own | 6.75 | 1.647 |
| 105 | The Three Sunrises | 6.75 | 1.956 |
| 106 | Sweetest Thing | 6.75 | 2.066 |
| 107 | Tryin' to Throw Your Arms Around the World | 6.71 | 1.487 |
| 108 | When I Look at the World | 6.71 | 1.718 |
| 109 | Stories for Boys | 6.68 | 1.219 |
| 110 | Fast Cars | 6.68 | 1.492 |
| 111 | California (There is No End to Love) | 6.68 | 1.765 |
| 112 | In a Little While | 6.64 | 1.929 |
| 113 | She's a Mystery to Me | 6.61 | 1.969 |
| 114 | Stuck in a Moment You Can't Get Out Of | 6.61 | 2.061 |
| 115 | Another Time, Another Place | 6.57 | 1.834 |
| 116 | Walk to the Water | 6.50 | 1.991 |
| 117 | The Ocean | 6.46 | 1.201 |
| 118 | Native Son | 6.43 | 1.794 |
| 119 | Bass Trap | 6.43 | 1.894 |
| 120 | MLK | 6.39 | 1.227 |
| 121 | Smile | 6.39 | 1.685 |
| 122 | Christmas (Baby Please Come Home) | 6.39 | 1.707 |
| 123 | If God Will Send His Angels | 6.39 | 1.792 |
| 124 | I Fall Down | 6.36 | 1.393 |
| 125 | Song for Someone | 6.36 | 1.830 |
| 126 | Unchained Melody | 6.36 | 1.870 |
| 127 | Dancing Barefoot | 6.36 | 1.948 |
| 128 | Original of the Species | 6.36 | 2.059 |
| 129 | Ordinary Love | 6.32 | 1.611 |
| 130 | A Celebration | 6.29 | 1.436 |
| 131 | I Threw a Brick Through a Window | 6.29 | 1.436 |
| 132 | Summer Rain | 6.29 | 1.560 |
| 133 | Levitate | 6.25 | 1.917 |
| 134 | Unknown Caller | 6.25 | 1.974 |
| 135 | Elvis Presley and America | 6.25 | 2.351 |
| 136 | Numb | 6.21 | 2.315 |
| 137 | With a Shout | 6.18 | 1.517 |
| 138 | Window in the Skies | 6.18 | 1.926 |
| 139 | A Man and a Woman | 6.18 | 2.038 |
| 140 | Disappearing Act | 6.14 | 1.779 |
| 141 | White as Snow | 6.14 | 2.031 |
| 142 | One Step Closer | 6.11 | 1.571 |
| 143 | Daddy's Gonna Pay for Your Crashed Car | 6.11 | 1.707 |
| 144 | Elevation | 6.11 | 1.812 |
| 145 | Xanax and Wine | 6.07 | 1.359 |
| 146 | Crumbs from Your Table | 6.07 | 1.609 |
| 147 | Night and Day | 6.07 | 2.210 |
| 148 | Trip Through Your Wires | 6.04 | 1.575 |
| 149 | Winter | 6.04 | 1.732 |
| 150 | Always Forever Now | 6.04 | 1.875 |
| 151 | Two Shots of Happy, One Shot of Sad | 6.04 | 2.202 |
| 152 | Fire | 6.00 | 1.743 |
| 153 | Salome | 5.96 | 1.795 |
| 154 | Lucifer's Hands | 5.93 | 1.331 |
| 155 | The Miracle (of Joey Ramone) | 5.93 | 1.741 |
| 156 | Everlasting Love | 5.93 | 1.904 |
| 157 | Silver and Gold | 5.93 | 2.142 |
| 158 | Satellite of Love | 5.89 | 1.397 |
| 159 | New York | 5.89 | 1.548 |
| 160 | Slow Dancing | 5.89 | 1.663 |
| 161 | Hallelujah Here She Comes | 5.89 | 1.663 |
| 162 | Van Diemen's Land | 5.89 | 1.792 |
| 163 | Cedars of Lebanon | 5.89 | 2.200 |
| 164 | When Love Comes to Town | 5.82 | 1.335 |
| 165 | Holy Joe | 5.79 | 1.371 |
| 166 | Blow Your House Down | 5.79 | 1.853 |
| 167 | Beach Sequence | 5.79 | 2.299 |
| 168 | Always | 5.75 | 1.691 |
| 169 | Oh Berlin | 5.75 | 1.956 |
| 170 | Volcano | 5.71 | 1.512 |
| 171 | Trash, Trampoline, and the Party Girl | 5.71 | 1.536 |
| 172 | Where Did it all Go Wrong? | 5.71 | 1.560 |
| 173 | Scarlet | 5.61 | 1.397 |
| 174 | I'll Go Crazy if I Don't Go Crazy Tonight | 5.61 | 1.873 |
| 175 | Heaven and Hell | 5.57 | 1.971 |
| 176 | Down All the Days | 5.57 | 2.063 |
| 177 | Boomerang II | 5.57 | 2.150 |
| 178 | Is that All? | 5.54 | 1.575 |
| 179 | Wave of Sorrow (Birdland) | 5.54 | 1.895 |
| 180 | I'm Not Your Baby | 5.50 | 1.599 |
| 181 | Are You Gonna Wait Forever? | 5.50 | 1.599 |
| 182 | Some Days are Better than Others | 5.50 | 1.689 |
| 183 | Stranger in a Strange Land | 5.46 | 0.999 |
| 184 | Yoshino Blossom | 5.46 | 1.688 |
| 185 | Alex Descends into Hell for a Bottle of Milk / Korova 1 | 5.46 | 1.795 |
| 186 | I Believe in Father Christmas | 5.46 | 1.835 |
| 187 | Flower Child | 5.46 | 1.934 |
| 188 | Sixty Seconds in Kingdom Come | 5.43 | 1.894 |
| 189 | Neon Lights | 5.39 | 1.595 |
| 190 | Wild Honey | 5.36 | 1.909 |
| 191 | Boomerang I | 5.36 | 2.004 |
| 192 | Love Rescue Me | 5.36 | 2.198 |
| 193 | Endless Deep | 5.32 | 1.362 |
| 194 | Race Against Time | 5.32 | 1.765 |
| 195 | Deep in the Heart | 5.29 | 1.843 |
| 196 | The Playboy Mansion | 5.29 | 2.016 |
| 197 | Babyface | 5.25 | 1.917 |
| 198 | A Room at the Heartbreak Hotel | 5.25 | 1.956 |
| 199 | North Star | 5.25 | 1.993 |
| 200 | Yahweh | 5.25 | 2.222 |
| 201 | Slow Dancing (ft. Willie Nelson) | 5.21 | 1.931 |
| 202 | Another Day | 5.18 | 1.362 |
| 203 | The Saints are Coming | 5.14 | 2.068 |
| 204 | Treasure (Whatever Happened to Pete the Chop) | 5.11 | 1.931 |
| 205 | Love You Like Mad | 5.07 | 1.386 |
| 206 | Things to Make and Do | 5.07 | 1.412 |
| 207 | Helter Skelter | 5.07 | 1.804 |
| 208 | The Hands that Built America | 5.07 | 1.884 |
| 209 | The Refugee | 5.07 | 1.942 |
| 210 | Street Mission | 5.04 | 1.895 |
| 211 | Touch | 5.00 | 1.587 |
| 212 | Saturday Night | 5.00 | 1.846 |
| 213 | Love and Peace or Else | 5.00 | 2.177 |
| 214 | Theme from Let's Go Native | 4.96 | 1.915 |
| 215 | Pop Muzik | 4.93 | 1.464 |
| 216 | Paint it Black | 4.93 | 1.824 |
| 217 | Beautiful Ghost / Introductions to Songs of Experience | 4.82 | 1.744 |
| 218 | All Because of You | 4.82 | 2.019 |
| 219 | Instant Karma! | 4.82 | 2.074 |
| 220 | Desert of Our Love | 4.79 | 1.792 |
| 221 | Near the Island | 4.79 | 1.950 |
| 222 | Get On Your Boots | 4.79 | 2.007 |
| 223 | The Fool | 4.79 | 2.043 |
| 224 | 4th of July | 4.71 | 1.802 |
| 225 | Peace on Earth | 4.71 | 1.883 |
| 226 | Rise Up | 4.71 | 1.922 |
| 227 | All Along the Watchtower | 4.68 | 1.588 |
| 228 | Speed of Life | 4.64 | 1.789 |
| 229 | Boy/Girl | 4.57 | 1.620 |
| 230 | One (ft. Mary J. Blige) | 4.54 | 2.516 |
| 231 | Corpse (These Chains Are Too Long) | 4.50 | 1.972 |
| 232 | United Colours | 4.50 | 2.046 |
| 233 | Angels Too Tied to the Ground | 4.43 | 1.814 |
| 234 | Miami | 4.43 | 2.116 |
| 235 | Red Light | 4.39 | 2.043 |
| 236 | Theme from The Swan | 4.32 | 1.847 |
| 237 | A Different Kind of Blue | 4.32 | 2.178 |
| 238 | Beat on the Brat | 4.29 | 1.652 |
| 239 | Happiness is a Warm Gun | 4.21 | 1.595 |
| 240 | Cartoon World | 4.21 | 1.912 |
| 241 | Stranded (Haiti Mon Amour) | 4.14 | 1.820 |
| 242 | Plot 180 | 4.14 | 1.938 |
| 243 | Everybody Loves a Winner | 4.04 | 1.644 |
| 244 | Big Girls are Best | 4.04 | 2.134 |
| 245 | Fortunate Son | 4.00 | 1.700 |
| 246 | Don’t Take Your Guns to Town | 3.93 | 1.741 |
| 247 | Ito Okashi | 3.79 | 1.969 |
| 248 | The Ballad of Ronnie Drew | 3.71 | 1.802 |
| 249 | Grace | 3.71 | 2.016 |
| 250 | J. Swallo | 3.64 | 1.810 |
| 251 | Stand Up Comedy | 3.50 | 1.876 |
| 252 | Viva Davidoff | 2.82 | 1.611 |
| 253 | Elvis Ate America | 2.54 | 1.815 |
| 254 | Drunk Chicken/America | 2.50 | 1.732 |
+------+---------------------------------------------------------+-----------+--------------+
"All Non-Album Songs Ranked
In addition to ranking all of the songs, a filtered list has been created for all songs that did not appear on the album. Treat this as perhaps a somewhat blind admission from everyone of how they really feel about B-sides.
PHP:
"
+------+---------------------------------------------------------+-----------+--------------+
| Rank | Song Title | Score | Deviation |
+------+---------------------------------------------------------+-----------+--------------+
| 1 | Hold Me, Thrill Me, Kiss Me, Kill Me | 8.46 | 1.598 |
| 2 | Lady with the Spinning Head | 8.00 | 1.440 |
| 3 | Invisible | 7.86 | 1.079 |
| 4 | The Ground Beneath Her Feet | 7.82 | 1.867 |
| 5 | Love Comes Tumbling | 7.68 | 1.541 |
| 6 | 11 O'Clock Tick Tock | 7.61 | 1.595 |
| 7 | Stateless | 7.39 | 1.571 |
| 8 | The Crystal Ballroom | 7.29 | 1.410 |
| 9 | Luminous Times (Hold on to Love) | 7.21 | 1.641 |
| 10 | Electrical Storm | 7.18 | 1.467 |
| 11 | Mercy | 7.11 | 1.663 |
| 12 | Spanish Eyes | 6.93 | 1.464 |
| 13 | North and South of the River | 6.79 | 1.663 |
| 14 | The Three Sunrises | 6.75 | 1.956 |
| 15 | Sweetest Thing | 6.75 | 2.066 |
| 16 | Fast Cars | 6.68 | 1.492 |
| 17 | She's a Mystery to Me | 6.61 | 1.969 |
| 18 | Walk to the Water | 6.50 | 1.991 |
| 19 | Native Son | 6.43 | 1.794 |
| 20 | Bass Trap | 6.43 | 1.894 |
| 21 | Smile | 6.39 | 1.685 |
| 22 | Christmas (Baby Please Come Home) | 6.39 | 1.707 |
| 23 | Unchained Melody | 6.36 | 1.870 |
| 24 | Dancing Barefoot | 6.36 | 1.948 |
| 25 | Ordinary Love | 6.32 | 1.611 |
| 26 | A Celebration | 6.29 | 1.436 |
| 27 | Summer Rain | 6.29 | 1.560 |
| 28 | Levitate | 6.25 | 1.917 |
| 29 | Window in the Skies | 6.18 | 1.926 |
| 30 | Disappearing Act | 6.14 | 1.779 |
| 31 | Xanax and Wine | 6.07 | 1.359 |
| 32 | Night and Day | 6.07 | 2.210 |
| 33 | Winter | 6.04 | 1.732 |
| 34 | Two Shots of Happy, One Shot of Sad | 6.04 | 2.202 |
| 35 | Salome | 5.96 | 1.795 |
| 36 | Lucifer's Hands | 5.93 | 1.331 |
| 37 | Everlasting Love | 5.93 | 1.904 |
| 38 | Silver and Gold | 5.93 | 2.142 |
| 39 | Satellite of Love | 5.89 | 1.397 |
| 40 | Slow Dancing | 5.89 | 1.663 |
| 41 | Hallelujah Here She Comes | 5.89 | 1.663 |
| 42 | Holy Joe | 5.79 | 1.371 |
| 43 | Blow Your House Down | 5.79 | 1.853 |
| 44 | Always | 5.75 | 1.691 |
| 45 | Oh Berlin | 5.75 | 1.956 |
| 46 | Trash, Trampoline, and the Party Girl | 5.71 | 1.536 |
| 47 | Where Did it all Go Wrong? | 5.71 | 1.560 |
| 48 | Heaven and Hell | 5.57 | 1.971 |
| 49 | Down All the Days | 5.57 | 2.063 |
| 50 | Boomerang II | 5.57 | 2.150 |
| 51 | Wave of Sorrow (Birdland) | 5.54 | 1.895 |
| 52 | I'm Not Your Baby | 5.50 | 1.599 |
| 53 | Are You Gonna Wait Forever? | 5.50 | 1.599 |
| 54 | Yoshino Blossom | 5.46 | 1.688 |
| 55 | Alex Descends into Hell for a Bottle of Milk / Korova 1 | 5.46 | 1.795 |
| 56 | I Believe in Father Christmas | 5.46 | 1.835 |
| 57 | Flower Child | 5.46 | 1.934 |
| 58 | Sixty Seconds in Kingdom Come | 5.43 | 1.894 |
| 59 | Neon Lights | 5.39 | 1.595 |
| 60 | Boomerang I | 5.36 | 2.004 |
| 61 | Endless Deep | 5.32 | 1.362 |
| 62 | Race Against Time | 5.32 | 1.765 |
| 63 | Deep in the Heart | 5.29 | 1.843 |
| 64 | A Room at the Heartbreak Hotel | 5.25 | 1.956 |
| 65 | North Star | 5.25 | 1.993 |
| 66 | Slow Dancing (ft. Willie Nelson) | 5.21 | 1.931 |
| 67 | Another Day | 5.18 | 1.362 |
| 68 | The Saints are Coming | 5.14 | 2.068 |
| 69 | Treasure (Whatever Happened to Pete the Chop) | 5.11 | 1.931 |
| 70 | Love You Like Mad | 5.07 | 1.386 |
| 71 | Things to Make and Do | 5.07 | 1.412 |
| 72 | The Hands that Built America | 5.07 | 1.884 |
| 73 | Street Mission | 5.04 | 1.895 |
| 74 | Touch | 5.00 | 1.587 |
| 75 | Saturday Night | 5.00 | 1.846 |
| 76 | Pop Muzik | 4.93 | 1.464 |
| 77 | Paint it Black | 4.93 | 1.824 |
| 78 | Beautiful Ghost / Introductions to Songs of Experience | 4.82 | 1.744 |
| 79 | Instant Karma! | 4.82 | 2.074 |
| 80 | Desert of Our Love | 4.79 | 1.792 |
| 81 | Near the Island | 4.79 | 1.950 |
| 82 | The Fool | 4.79 | 2.043 |
| 83 | Rise Up | 4.71 | 1.922 |
| 84 | Speed of Life | 4.64 | 1.789 |
| 85 | Boy/Girl | 4.57 | 1.620 |
| 86 | One (ft. Mary J. Blige) | 4.54 | 2.516 |
| 87 | Angels Too Tied to the Ground | 4.43 | 1.814 |
| 88 | Beat on the Brat | 4.29 | 1.652 |
| 89 | Happiness is a Warm Gun | 4.21 | 1.595 |
| 90 | Cartoon World | 4.21 | 1.912 |
| 91 | Stranded (Haiti Mon Amour) | 4.14 | 1.820 |
| 92 | Everybody Loves a Winner | 4.04 | 1.644 |
| 93 | Big Girls are Best | 4.04 | 2.134 |
| 94 | Fortunate Son | 4.00 | 1.700 |
| 95 | Don’t Take Your Guns to Town | 3.93 | 1.741 |
| 96 | The Ballad of Ronnie Drew | 3.71 | 1.802 |
| 97 | J. Swallo | 3.64 | 1.810 |
| 98 | Viva Davidoff | 2.82 | 1.611 |
| 99 | Drunk Chicken/America | 2.50 | 1.732 |
+------+---------------------------------------------------------+-----------+--------------+
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Awesome job, LN!
