MadForIt
Refugee
Well more so at Coldplay rather than U2 but as always he is funny and correct!
Noel Gallagher on how Oasis got their groove back - Times Online
That whole thing of bringing in Brian Eno,” he says, without naming names, but clearly thinking of U2 and Coldplay, “or hitching a ride to a good cause — it was people stopping being able to just feel, and starting to think. Which is brilliant if your music is directed at the small percentage of people that listens to music and likes to have a good think about it. Ultimately, though, what’s great about great music is that you don’t have to think about it. It just hits you, wham, and that’s it. You don’t have to go, ‘Yeah, well, you know Brian Eno, he made them all do their horoscopes before going in the studio.’ (Coldplay, again) Who gives a f***? What’s coming out of the speakers? That’s all I’m interested in.”
He’s on a roll now. “If it doesn’t hit you in the face, doesn’t speak of love, hate, friendship, sorrow, life and death, it doesn’t mean anything to me. The afterthought of any music should be, ‘Oh, wow.’ That’s the payoff. It’s like the Sex Pistols, the songs are so instant, but then you listen to the lyrics of Anarchy in the UK and you go, ‘F***ing hell, that guy was frightening.’ Even now, you listen to the Pistols and think, ‘He was 17 when he wrote that.’ Seventeen! What are 17-year-olds writing about now? Going to a chip shop and a bird’s just split up with him. So what? Get over it.”
Make sure you read the whole interview as its always great to see what Sir Noel thinks
Noel Gallagher on how Oasis got their groove back - Times Online
That whole thing of bringing in Brian Eno,” he says, without naming names, but clearly thinking of U2 and Coldplay, “or hitching a ride to a good cause — it was people stopping being able to just feel, and starting to think. Which is brilliant if your music is directed at the small percentage of people that listens to music and likes to have a good think about it. Ultimately, though, what’s great about great music is that you don’t have to think about it. It just hits you, wham, and that’s it. You don’t have to go, ‘Yeah, well, you know Brian Eno, he made them all do their horoscopes before going in the studio.’ (Coldplay, again) Who gives a f***? What’s coming out of the speakers? That’s all I’m interested in.”
He’s on a roll now. “If it doesn’t hit you in the face, doesn’t speak of love, hate, friendship, sorrow, life and death, it doesn’t mean anything to me. The afterthought of any music should be, ‘Oh, wow.’ That’s the payoff. It’s like the Sex Pistols, the songs are so instant, but then you listen to the lyrics of Anarchy in the UK and you go, ‘F***ing hell, that guy was frightening.’ Even now, you listen to the Pistols and think, ‘He was 17 when he wrote that.’ Seventeen! What are 17-year-olds writing about now? Going to a chip shop and a bird’s just split up with him. So what? Get over it.”
Make sure you read the whole interview as its always great to see what Sir Noel thinks