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this is very cool. one of the song titles mentioned in the article, "Boy Falling From the Sky," makes me think this might have something to do with one of the 2006 beach clips (402). i recall bono singing something like "a boy...falls...from...the...sky"

Now that you think of it, Window in the Skies sounds very 'end of musical, main character gets the girl'.

There are a lot of subject matter parralels with Spiderman, and you could really hear a full orchestra playing that, and the whole cast singing along etc...

Maybe those sessions were for the Spiderman project?

BTW, great ears on that one!
 
As long as Kirsten Dunst makes an appearance on the album...I'll be happy.

kirstendunst.jpg
 
Now that would really be pretty cool, the modern day Zooropa?

Not that I won't be interested in hearing it, but I hope we get a modern day Zooropa next year in the form of more music from this period, not in the form of a musical soundtrack.
 
A video of a song with Paul Hewson playing SpiderBono would be Ace.

"SpiderBono, SpiderBono, Does whatever a Lead singer activist Spider can..."
 
I'm actually getting pretty fired up about this. My favourite band AND my favourite superhero combined in the same project? Sold!

Plus, it means we'll get TWO U2 (well, okay, one U2 and one Bono/Edge, close enough) albums in one year! That more than makes up for this long wait between albums.
 
Just read this;
NME News
Bono's broadway effort most expensive production in history

'Spider-Man' musical is costing $40 million
The Broadway musical for which U2 frontman Bono is scoring is set to become the most expensive production in theatre history, according to reports today.

’Spider-Man’, directed by ‘The Lion King’s ‘Julie Taymor, is currently operating on a budget of $40 million and the show is expected to have a weekly running cost of $1 million.

The budget may be reduced to a mere $35 million, which means that the musical would have to run for around 8,000 years to break even, according to calculations in today’s New York Post.

According to the report, the enormous budget has been earmarked for designers, ranging from set to costume to fight designers,

The show is scheduled to open on Broadway next year.

--By our New York staff.
Find out more about NME.
Source: Bono's broadway effort most expensive production in history | News | NME.COM
 
Here's the original article from today's New York Post, referenced by NME:

TAYMOR'S WEB OF RICHES

'SPIDER-MAN' BUDGET SWELLS TO $40 MILLION

Last updated: 11:30 am
October 8, 2008
Posted: 3:19 am
October 8, 2008

IN this economy, everybody's tightening their belts. Everybody, that is, but Julie Taymor.

The genius director of "The Lion King" has never met a budget she didn't blow right past.

Case in point: "Spider-Man," her new show - extravaganza, really - whose budget has ballooned to $40 million, making it the most expensive production in theater history.

Some of the people involved (there are dozens and dozens, with more being added daily) are starting to blanch at the price tag. With straight faces, a few are running around town saying things like: "Well, it's $40 million now, but we think we can get it down to $35 million."

Let's see.

If - and it's a big "if" where Julie The Lion Taymor is concerned - they do bring it in for $35 million, "Spider-Man," with a weekly running cost of $1 million, will have to run about 8,000 years in a Broadway theater just to break even.

"It's off the charts," one source says. "Off the charts."

The musical has a rock score by Bono (quite a good score, I'm told; the messy book is another matter) and is being produced by Sony, Marvel Comics and David Garfinkle, a lawyer who managed to get control of the musical after its original producer, the much-missed Tony Adams, died of a heart attack three years ago.

This crowd has very little theatrical experience, which is apparent since nobody seems to have the wherewithal to say: "$40 million, Julie? Are you out of your f - - - ing mind??"

Where's all that money going?

Well, a lot of it's earmarked for "designers."

There's a set designer and a costume designer and a projections designer and a fight designer and an aerial designer and a graphic designer and a film designer. In short, if you're a designer of any kind, you've got to get on this gravy train.

"Julie's called designers - I mean people who aren't just designers but who have their own companies - and offered them jobs," a source says.

"The Playbill is going to have 18 pages of designer bios."

"Spider-Man" has gotten so expensive, some people working on it think it should bypass Broadway and head straight to Las Vegas, where it might have a shot at making money. Maybe. One day. When pigs fly.

But a high-ranking production source insists the show will definitely open on Broadway next year.

The "Spider-Man" crew has been all over the Hilton Theatre.

That's the worst-kept secret in town, but nobody's saying anything official because poor, deluded Mel Brooks still thinks "Young Frankenstein" is going to run longer than "Cats." (It's not going to run longer than January.) But the Hilton, horrible barn that it is, is the only theater big enough to accommodate Taymor's massive web of a show.

Theater insiders blame Disney for her out-of-control spending habits.

"The reason she worked with puppets most of her life is because she never had much of a budget," a source says. "But then Disney came along and gave her $25 million to do 'The Lion King.' "

Her shoestring days are over, and now, the source adds: "She doesn't care what it costs. Does not care at all. Her attitude is: It's for the art, and you don't question artists."

Even when the show they're working on is "Spider-Man"?

michael.riedel@nypost.com
 
Here's the latest update:

From The Sunday Times December 14, 2008

Spiderman fights Broadway slump

The comic book hero is due to appear in a new musical just as the recession sweeps through New York’s theatre district

SPIDERMAN may have met his most formidable foe yet — the Broadway slump. A musical based on the Marvel comic book hero, written by Bono and the Edge from U2, is to take up residency in the Hilton Theatre early next year as the chill wind of recession blows through the theatre district of New York.

Spiderman, reportedly the most expensive show of all time with a budget of €25m, is expected to move into the Hilton after the final curtain falls on the theatre’s current tenant, Young Frankenstein, on January 4. The musical, directed by Mel Brooks, is one of 15 shows closing in the next six weeks, together with Equus, starring Daniel Radcliffe, Grease, Hairspray and Monty Python’s Spamalot. Despite offering discounted tickets, most shows on Broadway have been playing to half-filled houses in recent weeks and only two low-key productions with limited runs — All my Sons, by Arthur Miller, and The Seagull, starring Kristin Scott Thomas — made money this season.

Micah Hollingsworth, general manager of the 1,500-seater Hilton, the theatre where Pirate Queen, produced by Moya Doherty and John McColgan, flopped, said Broadway was “hurting”. He said: “Every industry is suffering and we’re no exception. A lot of shows stay open for Thanksgiving and Christmas and then run out of steam. This year there are just more than normal closing down. Because of the economy, there’s more anxiety around.”

Hollingsworth said that by the time Spiderman opened, there should be a rebound. “From what I hear, it’s an ambitious show and won’t start for some time, so its timing may not be so bad after all,” he said.

Adrian Bryan-Brown, the show’s theatrical agent, said it could open as early as next spring or as late as autumn. “It’s a huge show with very specialised technical needs, so it may take some time to fit out a venue,” he said.

Bryan-Brown said he was “optimistic” that the production would buck the Broadway slump. “It’s not going to be like any other show,” he said. “January and February are always tough on Broadway. This year the seasonal downturn has just been exaggerated by the recession”.

Bono has promised that the show will be “something the likes of which no-one has seen or heard”. He said the music will be part punk rock and part opera. “It should be a hallucinogenic experience for theatregoers,” he said. “You have the visual energy brings. The myth of the arachnid and the elasticity of these characters — you can turn theatre upside down.”

Spiderman may need to demonstrate all his gravity-defying skill, however, to rise above the downturn. Among the big budget productions currently playing, only Billy Elliot is considered a success. A lavish €10m production of A Tale of Two Cities that opened in September was forced to close two months later. To stimulate demand, Disney shows, such as The Lion King and Mary Poppins, are offering a free children’s ticket with every full-price ticket, and other shows are offering discounts to people over 65.

When the $12m (€9m) Pirate Queen closed after three months, it was estimated to have lost $8m. The stakes for Spiderman, with twice the budget, are even greater.

Bryan-Brown says he remains confident. He predicts that Broadway ticket sales will pick up when tourists begin to return to New York next spring. “Broadway is the number one reason why tourists come to New York. Visitor numbers are down but all the expectations are that the industry will pick up. Talk of a Broadway crash is over the top — a lot of the shows that are closing are seasonal attractions and would have been expected to end anyway at this time of year.”

The agent said that details of the cast and production schedule would be released early in the new year. Evan Rachel Wood, a Hollywood actress, has been tipped for the role of Mary Jane Watson, Spiderman’s girlfriend. Bryan-Brown confirmed that she had attended workshops for the part.

Taymor previously directed Wood in Across the Universe, a musical movie inspired by the songs of the Beatles that featured a brief guest appearance from Bono.

She hopes to reunite the actress with her co-star from the film, Jim Sturgess, as Peter Parker and Spiderman.

Spiderman fights Broadway slump - Times Online
 
Somebody needs to stop this...this entire musical...its one big







EPIC FAIL

Okay, Hold Me, Thrill Me, Kiss Me, Kill Me was an ungodly good song...even for a Batman that was 1/1,000,000 as kick ass as the Batman we have now...

I just don't see it working for Spider Man...
 
I think that it's likely to be visually & musically impressive. The two obstacles it faces are: 1). How corny it is----it needs to surpass the huge cheese factor of being "Spider-Man: The Musical," and 2). The economy----with that massive budget, if it stays in the red for too long, it'll be billed as a failure no matter how good the show itself is.

I don't doubt that the music itself will be cool, and I hope that U2 fulfill the rumor that there will be both a cast soundtrack and a U2 version of the soundtrack released. :drool:
 
I don't doubt that the music itself will be cool, and I hope that U2 fulfill the rumor that there will be both a cast soundtrack and a U2 version of the soundtrack released. :drool:


Yes, even if the play itself flops, we'll have at least one and possibly two versions of the score. And all accounts from people who have already heard it have been extremely positive.
 
So apparently it seems most people on this forum are against U2 being involved with the Spider-Man musical... why? First of all, it's not U2 - it's Bono and the Edge. I honestly don't see how them taking part in this show is any different than them writing a song for "GoldenEye" or Adam and Larry retooling the theme for "Mission: Impossible."

Also, did anyone HONESTLY think The Lion King was going to be good? I expected massive fail on an epic scale... but then I actually saw the production and was blown away. 'Twas quite the spectacle (perfect for a big-budgeted Broadway production) and the new songs made for a more coherent narrative. This was all based on an animated Disney feature (which was, must be mentioned, also loosely based on Hamlet). Maybe because I am a fan of the comics, but I can really see some interesting themes being developed with this Spider-Man - coming of age, loss of innocence, sacrifice, plight of the individual, etc.,. Just because it's based on a comic book does not necessarily mean the musical will be any less fulfilling than other Broadway productions (case in point - the aforementioned "The Lion King" (though not the best example, as its primary demographic dwindles near the younger crowd); also "The Dark Knight" - while not a Broadway musical, still based on a comic book and many are predicting "Best Picture" nominations).

I think we should all reserve judgment until this thing sees the light of day. At the very least, we'll get more Bono & Edge material to hearken to.
 
This from another Q article regarding the Spiderman musical. Nothing concrete as far as dates but the part about the "weeks they will be hanging around" was interesting.
I wonder what weeks this part of the rehearsal is planned for?

(If this is already posted somewhere, please delete. I didn't check everywhere.) :wink:

U2 reveal all about Spiderman Musical - News - QTheMusic.com

The guitarist said he and Bono would be around for a "good few weeks" of the rehearsals: "There won’t be a full orchestra – it’ll be something like 18 or 20 musicians: string players, brass, some woodwind. The core will be a rock’n’roll band. But it is going to be interesting to write for other people. We have already written a lot of songs that are for women to sing. That’s a whole other set of challenges, to write in the right key and all those technical things."
12:32 AM | 30/12/2008
 
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