Tangled web: Director of Spider-Man musical is forced out
Cost overruns, technical hang-ups, accidents and bad reviews have apparently seen Julie Taymor asked to leave
Ed Pilkington
guardian.co.uk, Wednesday 9 March 2011 18.02 GMT
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Spider-Man: Turn Off the Dark has been plagued with problems since the production started, including accidents to the cast. Photograph: Jacob Cohl/AP
Spider-Man has finally met his match. The Sandman and the Green Goblin never had what it took to bring him down, but cost overruns, technical hang-ups and a panning by critics have done him in on Broadway.
Julie Taymor, the award-winning film and theatre director, has reportedly been forced out of her lead creative role in Spider-Man: Turn Off the Dark, the much-delayed and troubled Broadway musical. Several New York media outlets, including the New York Times and Daily News, reported that Taymor's ousting as director was all but settled pending an announcement expected this week. Talks between Taymor and Spider-Man's producers, however, were understood to be continuing over whether she retains some link with the musical.
The New York Times says the key figures behind the show – including its two main producers, Michael Cohl and Jeremiah Harris, as well as Bono and the Edge of U2, who wrote the music and initially brought Taymor on board – have all agreed that it is time for a fresh approach.
At $65m (£40m), Spider-Man is the most expensive musical in history. It has been dogged by difficulties from the start, with several cast members involved in accidents, including an actor who fell 10 metres (35ft), and a series of delays to the show's official opening night. That is set for 15 March but will probably be put back for a sixth time, maybe for as long as three months. A blackout of performances is also anticipated, lasting for up to three weeks at a cost to the producers of more than $1m a night.
Taymor has directed several Hollywood films, including The Tempest, and won a Tony Award for The Lion King on Broadway. She has been criticised during Spider-Man's unhappy run with being over-controlling in her desire to achieve perfection.
The show has been almost universally panned by critics, who have reviewed it despite the ever-receding opening night. The Guardian's Hadley Freeman concluded that "the actors have the look of the orchestra aboard the Titanic, valiantly doing their best though they know this ship is going down".