LemonMelon
More 5G Than Man
I second the opinion that U2 shouldn't bother with opening acts, by the way. An extra 10 songs every night would solve some of the setlist bitching, and all of the opener bitching.
gvox said:There's been alot of opener bitching, apart from one or two bands a small but very vocal minority here like?
LemonMelon said:Enjoying the opening act has become a minority opinion over the past couple of legs
gvox said:Interesting. Ive seen more respectful generally interested fans the last few legs than not. I may have seen a greater variety of openers, however. Just my personal observation that most of the openers have been decently received. A couple have not, and it seems the disinterest of some in those couple of bands strikes a raw rather defensive nerve in a select group here. No sure why, but I suppose if they really like said band it might aggravate them a bit..
Ya, because they totally knew how lame the fans would be when they signed up. They should be grateful for the experience and keep everything to themselves!
Actually, all those things are true. They should know how most crowds treat openers, they should be grateful for the experience, and yes, U2 invited them to their house and if they didn't like it they should have the grace to shut the fuck up and keep it to themselves instead of whining about it after the fact like a school boy who didn't get extra dessert.
Why anyone would want to excuse the bad behavior of a spoiled rock star is beyond me.
cobl04 said:"Also our music isn't good enough to win them over and they were there to see U2, not us. It's a great opportunity though."
fuck, the lead singer can say whatever he wants. This shouldn't even be a thread.
When Snow Patrol opened for U2 on the Vertigo Tour, I had not heard of them at that time. However, they were SO good, I quickly became a fan. And thanks to them touring with U2, they gained quite a few more fans - so much so that by the time they toured with U2 again on the 360 Tour, fans were rocking to their music and making them feel right at home. The Boston crowd wildly impressed them by continuing to sing one of their songs well after it ended - and this occurred on successive nights!
U2BROTHR said:
lol, as if anything would solve U2 fans' bitching.I second the opinion that U2 shouldn't bother with opening acts, by the way. An extra 10 songs every night would solve some of the setlist bitching, and all of the opener bitching.
I'd beg to differ that it's a small minority. I saw a lot of positive feedback on Twitter about a certain band who shall remain nameless.There's been alot of opener bitching, apart from one or two bands a small but very vocal minority here like?
Nah, I'd say that's a pretty accurate description of U2 fans that I've seen, regardless of the act in question. I'd say Arcade Fire is the only band that had most of the crowd on their feet and right into the music.So an opening band can succeed - if they are good and, perhaps more importantly, win over a crowd. Calling fans "cut-outs" may reflect more on them than it does the crowd.
Disagree. I've seen Kings of Leon(In Vancouver when nobody knew who they were), BEP, Muse, Snow Patrol, Kanye West, Nelly Furtado, Keane(in NY when nobody knew who they were) among others open for U2 and they were all recived quite well.
Seems pretty stupid to put yourself in a position where you're opening for someone you so openly despise, or at minimum have zero respect for.
What helped was my brother, among a few others, told me what a great band they were, so I went in with an open mind. Even when I wasn't blown away the first time, I figured it'd be worth it to make a little effort to aquaint myself with their material and they're one of my favourite bands now.
Having said that, 360 was particularly unforgiving to opening acts. With the lights up there's just no way to fill that stage, or create any kind of intimacy w/ the audience, especially if they don't know your music. It's tough enough for openers in a small venue, but at least there they can almost force the audience to notice them and have an opportunity to connect.
But let's face it....unless you're in the circle, most people are finding their seats or getting beer during the opening act. Most people don't care about the opening act, and their only obligation, if any, is polite applause. This conceited prick from Kasabian can say wherever he wants, I don't care either way, but it just sounds like self-important rock star whining to me. Poor guy got ignored by U2 fans. Cry me a fucking river. If people aren't getting into their music that's hardly the fault of the audience. The arrogance of some of these guys is really pretty unbelievable, to expect the entire crowd to stop and pay attention like they're in a club because some artist they probably never heard of is playing. They were frankly lucky to be there, and if Kasbian didn't like it then they should have built their own fucking spaceship.
Actually, all those things are true. They should know how most crowds treat openers, they should be grateful for the experience, and yes, U2 invited them to their house and if they didn't like it they should have the grace to shut the fuck up and keep it to themselves instead of whining about it after the fact like a school boy who didn't get extra dessert.
Why anyone would want to excuse the bad behavior of a spoiled rock star is beyond me.
kafrun said:lol, as if anything would solve U2 fans' bitching.
Jive Turkey said:You just listed a bunch of top 40 artists. And when Keane opened at MSG, they were probably at their most popular (and put on a horrible show)
Jive Turkey said:It's always the bands that don't immediately jump out at you, but slowly grow that are the most rewarding to listen to
As much as I adore the XX (and I know U2 does as well) enlisting them as an opening act would be a waste of their time. Some music just sounds better in the confines of your own home, and quality music isn't going to be acceptable to all. This is the same debate we have with regards to playing Heartland/Drowning Man every night instead of Elevation/Boots, really. Quality vs. Decible count vs. Familiarity. What wins out? I really wish U2 would start playing arenas with minimal lights and a greater emphasis on the back catalog, but I'm not their market anymore. They have me already. And maybe those songs would sound shitty in that context anyway.